William, a once obese and depressed adolescent, is able to move past his teenage years when he moves to the city and comes out as being gay. When he returns home though, he can't cope with his memories.
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male-written, love letters that undermines his sexual identity and interfere with his peaceful life with his beloved girlfriend.
An intense relationship drama that takes the form of a mystery, The Event centers around a series of unexplained deaths that occur among the gay community in New York's fashionable Chelsea ... See full summary »
This third and final film of the Falls trilogy revisits former Mormon missionaries Chris and RJ, six years after they first fell in love and were disciplined for it, as they formulate a plan to be together at long last.
Curtis Edward Jackson
William, a once obese and troubled teen, goes back to his family's home after being gone, without word, for ten years and finds it (and his family) haunted with his past. He had moved to the city and become a fit, well-adjusted gay man, but during his visit home, he becomes unhinged as the newly remembered reasons for his miserable adolescence come to life in each of their presents. Written by
Tom Hunt Brooks <firstname.lastname@example.org>
[sending her grandchildren off to a school dance. To granddaughter Rosemary.]
You got pockets? You carrying your protection with you?
Started when your father was young. Every party dress had to have pockets.
[fetches something from her chest-of-drawers.]
Now ... Your hands. These'll keep you safe.
[lowers a rosary into Rosemary's open hands.]
Now, you feel some of that ... that hocus-pocus comin' into your body ... you don't have to worry.
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I recently saw this again having first seen it in the theater on its release and been spellbound by it.
Thom Fitzgerald is both the writer and director of an exploration into a family's dysfunction and disintegration amid their getting together for the wedding of the daughter.
The film shows the family in both the present and the past and centres around the newly returned son, Sweet William, the father, Whiskey Mac and his wife, Iris, and their relationship to their three children. The father is a nursery man/gardener and the segments of the movie are titled with the names of flowers. As are the children of the family.
In the past, Sweet William, an unhappy overweight boy is conflicted by his latent homosexuality. He develops a relationship with his friend Fletcher. When they are caught making love, the family completely falls apart.
The message of the film revolves around the theme of family secrets and how attempts to bury or ignore them serves only as a temporary cover-up. They will out.
Peter MacMeill, Kerry Fox, Chris Leavins, Troy Veinoitte, Seana McKenna and Sarah Polley give able, believable performances.
Again, it is one of those under-appreciated Canadian gems that have not been brought to a wider audience. And deserve to be.
And it has one of the most surprising, uplifting endings!
8 out of 10. Bravos to all involved.
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