This post-apocalyptic future story is based on the 8th century Saxon epic poem about the knight who battled a monster in a medieval castle. In this story, Beowulf is a wanderer who learns about a man-eating creature called Grendel which comes in the night to devour warriors trapped at the Outpost. The Outpost is ruled by Hrothgar. He has a daughter, whose husband may have been murdered by the Outpost's master of arms.Written by
John Sacksteder <email@example.com>
Performed by Frontside
Written by Chris Arkley-Smith and Scott Simon
Published by Mushroom Music
Frontside appears courtesy of Abducted Records
Under license from The Mushroom Group of Companies
p1997 MDS See more »
A great movie... for a laugh.
We screened this movie in a club as an example of how classic literature can become twisted into some of the most awful movies of all time. Just the fact that the back of the box proudly proclaimed the plot to be set in the "techno-futile" future should have been enough of a hint. I think that word describes the movie itself, because no matter how much technology they tried to use to save this movie, the effort was completely futile. Not to mention that our club advisor told us that it allegedly couldn't get a distributor for two years.
This cinematic failure is littered with cheesy, cliche dialogue that's worse than angsty teen poetry. Beowulf's character changes halfway through in a way that is in no way credible, and whenever he's in an action scene, he's constantly flipping like a hyper gymnast. There is even, as they say, a "token black guy" whose attempts at humor are completely out of place. And, of course, the daughter of the leader of the outpost Grendel is terrorizing is a total vixen. A vixen whose breasts are exposed throughout the entire movie. A vixen who wants to fight the creature, yet she never puts on armor. And her weapon of choice is a little carving knife. And despite their dire situation, she still dresses up for dinner, in a dress with a see-through skirt that exposes her short-shorts underwear. There are a couple scenes that could pass as soft core pornography, and in the second scene they even reuse footage from the first. I thought the portrayal of Grendel was bad enough, but then came the end of the film, which featured a display of CGI that might be decent for the 80s, but is totally ridiculous for a late 90s venture. I could go on, but you all should watch this film for the fully laughable effect yourselves.
The other club members and I did manage to have fun watching this by taking a cue from MST 3K and mocking it the whole way through. I'm still reeling from an extra's weapon: a perpetually spinning pizza cutter on a pole.
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