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Wilde (1997)

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The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »

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Writers:

(original screenplay), (based on the book by)
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Nominated for 1 Golden Globe. Another 4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Oscar Wilde
... Lord Alfred Douglas
... Lady 'Speranza' Wilde
... Constance Wilde
... Lady Queensberry
... Lady Mount-Temple
... Robbie Ross
... Ada Leverson 'Sphinx'
... The Marquess of Queensberry
... John Gray
Matthew Mills ... Lionel Johnson
Jason Morell ... Ernest Dowson
... Charles Gill
... C.O. Humphreys
Philip Locke ... Judge
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Storyline

The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and responsibility with his obsessive love for Lord Alfred Douglas, nicknamed Bosie. After legal action instigated by Bosie's father, the enraged Marquise of Queensberry, Wilde refused to flee the country and was sentenced to two years at hard labor by the courts of an intolerant Victorian society. Written by Peter Samuelson <petersa1@tribeca.ios.com>

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Taglines:

The story of the first modern man See more »


Motion Picture Rating (MPAA)

Rated R for strong sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

"Wilde" official site

Country:

| |

Language:

|

Release Date:

1 May 1998 (USA)  »

Also Known As:

Oscar Wilde  »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$69,424, 3 May 1998, Limited Release

Gross USA:

$2,157,701, 8 November 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Orlando Bloom's film debut. See more »

Goofs

When Oscar Wilde visits his wife's grave near Genoa, the headstone states "Wife of Oscar Wilde". It originally stated only "Constance Mary, daughter of Horace Lloyd, Q.C." and "Wife of Oscar Wilde" was not added until later. See more »

Quotes

Lady Mount-Temple: Well, of course, there must be censorship or people would say what they meant, and then where should we be?
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Crazy Credits

The credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team. See more »

Connections

Referenced in BBC Proms: Prom 2: Music from Great British Films (2007) See more »

Soundtracks

Ah, Leave me not to Mine Alone
from "The Pirates of Penzance"
Words and Music by W.S. Gilbert (as Gilbert) & Arthur Sullivan (as Sullivan)
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User Reviews

 
Wonderfully bright, cynical, jaded, and romantic biopic
27 January 2008 | by See all my reviews

The mid-life years of (now genteel) decadent behavior by one of late Victorian England's celebrities, the Irish-born novelist-poet-playwright Oscar Wills Wilde (1854–1900). Director Brian Gilbert doesn't bandy about giving us the childhood torments of a literary genius; instead, he and screenwriter Julian Mitchell delve right into the more prominent chapters of Wilde's life, his marriage to a woman--producing two children--before realizing his homosexual desires, leading to some promiscuous indiscretions before finding love with churlish, childish poet Lord Alfred Douglas. Stephen Fry gives a masterful performance as Wilde, and the portrait allows for many shadings (this isn't a plea for the misunderstood gay artist, as Wilde himself is shown to be occasionally fickle, lusting, and selfish). Jude Law is equally good as ornery, demanding lover 'Bosie', whose tyrannical father brought about a court-case and two-year jail term for Wilde (covered previously in 1960's "The Man with the Green Carnation"), contributing to his early demise. A provoking, insightful, eloquent film--not at all stuffy or coy--which is due in large part to Gilbert's dexterous way with his actors and a keen sense of pacing and audience-involvement. *** from ****


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