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The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ... See full summary »

Director:

Brian Gilbert

Writers:

Julian Mitchell (original screenplay), Richard Ellmann (based on the book by)
Reviews
Nominated for 1 Golden Globe. Another 4 wins & 7 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Stephen Fry ... Oscar Wilde
Jude Law ... Lord Alfred Douglas
Vanessa Redgrave ... Lady 'Speranza' Wilde
Jennifer Ehle ... Constance Wilde
Gemma Jones ... Lady Queensberry
Judy Parfitt ... Lady Mount-Temple
Michael Sheen ... Robbie Ross
Zoë Wanamaker ... Ada Leverson 'Sphinx'
Tom Wilkinson ... The Marquess of Queensberry
Ioan Gruffudd ... John Gray
Matthew Mills Matthew Mills ... Lionel Johnson
Jason Morell Jason Morell ... Ernest Dowson
Peter Barkworth ... Charles Gill
Robert Lang ... C.O. Humphreys
Philip Locke ... Judge
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Storyline

The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and responsibility with his obsessive love for Lord Alfred Douglas, nicknamed Bosie. After legal action instigated by Bosie's father, the enraged Marquise of Queensberry, Wilde refused to flee the country and was sentenced to two years at hard labor by the courts of an intolerant Victorian society. Written by Peter Samuelson <petersa1@tribeca.ios.com>

Plot Summary | Add Synopsis

Taglines:

We are all in the gutter, but some of us are looking at the stars. See more »


Motion Picture Rating (MPAA)

Rated R for strong sexuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

"Wilde" official site

Country:

UK | Japan | Germany

Language:

English | Italian

Release Date:

1 May 1998 (USA) See more »

Also Known As:

Oscar Wilde See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$69,424, 3 May 1998, Limited Release

Gross USA:

$2,157,701, 8 November 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Ioan Gruffudd. See more »

Goofs

When Bosie enters Oscar's room in the country house, a picture to the left of the door reflects a studio light and later, when Bosie sits down, the boom. See more »

Quotes

Marquess of Queensberry: [very drunk] Where d'you stand on cremation?
Oscar Wilde: I'm not sure I have a position.
Marquess of Queensberry: I'm for it. I wrote a poem about it. 'When I am dead, cremate me.' That's how it starts. 'When... I am dead... cremate me'. Whaddya think of that for an opening line?
Oscar Wilde: It's... challenging.
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Crazy Credits

The credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team. See more »

Connections

Featured in Venice Report (1997) See more »

Soundtracks

Ah, Leave me not to Mine Alone
from "The Pirates of Penzance"
Words and Music by W.S. Gilbert (as Gilbert) & Arthur Sullivan (as Sullivan)
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User Reviews

 
Earnest production with a great performance by Stephen Fry
1 July 2006 | by bandwSee all my reviews

This film biography of Oscar Wilde is a showcase for Stephen Fry. He not only looks like Wilde, he breaths life into the many passages from Wilde's writings that are woven into the screenplay. The difference between reading Wilde and experiencing Fry's performance is like reading Shakespeare and seeing Olivier perform. An evening listening to Fry read from Wilde's works would be worth paying a tidy sum to attend.

I had no idea that Wilde had married young to Constance Lloyd (Jennifer Ehle in a fine performance) and had two adorable boys by her. In an effective plot device, periodically throughout the movie Wilde reads to his sons from his children's story, "The Selfish Giant." The readings are presented in a way that cleverly integrates the storyline of the writing with the storyline of the movie, with Wilde being the selfish giant. And how many people know that Wilde wrote children's stories?

There are many examples given of Wilde's biting wit, such as, "Give a man a mask and he will tell you the truth," "The world is a stage, but the play is badly cast," and "I find that alcohol, taken in sufficient quantities, can bring about all the effects of drunkenness." Fry delivers these with perfect tone.

Of course a good part of the movie is devoted to Wilde's arrest and ultimate imprisonment for "indecent acts" with Lord Alfred Douglas (Jude Law). Wilde truly did live his life in accordance with his comment, "Where your life leads you, you must go. I defy society." As presented here, Wilde is a courageous and sensitive man who was forced into a tragedy by the strictures of a hidebound society. In current America most would judge his infractions with mild distaste at worst.

There are some disconcerting transitions, mostly in scenes with Lord Douglas. Douglas is seen to have a volatile personality. He could be needy and tender, but he could also be a first-class ass and manipulator with an explosive temper. His fits of anger seemed exaggerated and disrupted the tone of the movie. I had a similar reaction to the sex scenes in terms of disrupting the flow. Robbie's initial advances were abrupt and without foundation. The explicit sex scenes between Wilde and Lord Douglas would have been better hinted at than seen - their kisses and embraces could well be imagined but they felt incongruous and unbelievable in the flesh.

Wilde was much more than a wit. He could express emotions with eloquence. Consider this quote about encountering a previous lover after a hiatus of a few years:

"Life cheats us with shadows. We ask it for pleasure, it gives it to us with bitterness and disappointment in its train. And we find ourselves looking with dull heart of stone at the tresses of gold-flecked hair that we once had so wildly worshiped and so madly kissed."

The movie is nicely filmed with a good musical score. I wound up liking it more after having thought about it.

Watching this has expanded my appreciation for Wilde as a writer and as a person - I have been left wanting to know more about him and his work.


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