A group of dysfunctional, disappointed actresses congregate in a Hollywood bar circa 1937.
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Photos and Videos
Complete, Cast awaiting verification
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Katherine Morris | ... |
Lillian 'Peg' Entwhistle
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| Costas Mandylor | ... |
Jack Turner
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| Jordan Ladd | ... |
Monica-Bette Davis' Stand-in
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| Daphne Zuniga | ... |
Shirley-Greta Garbo's Stand-in
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| Sammi Davis | ... |
Martha Anne-Jean Harlow's Stand-in
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| Charlotte Chatton | ... |
Peggy (Mae West's Stand-in)
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| Todd Cattell | ... |
Fritz, the Cop
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Missy Crider | ... |
Rhonda-Marlene Dietrich's Stand-in
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| Katherine Heigl | ... |
Taffy-Rita Hayworth's Stand-in
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Rod Dyer | ... |
Irwin Reisner
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Bob Elyea | ... |
Miss Harlow's Cameraman
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Directed by
| Harvey Keith | ||
Written by
| Harvey Keith | ... | (screenplay) |
| Ed Kelleher | ... | () |
Produced by
| Stephen K. Alsberg | ... | associate producer |
| David Glasser | ... | co-producer |
| Mark Headley | ... | co-producer / line producer |
| Michael Hirshenson | ... | associate producer |
| Jon Rothschild | ... | executive producer / producer |
| Roy Silver | ... | executive producer / producer |
Music by
| Bill Elliott | ||
Cinematography by
| Andrzej Sekula | ||
Editing by
| Richard Trevor | ||
Editorial Department
| Mary Nelson-Duerrstein | ... | negative cutter |
| Hazel Trevor | ... | assistant editor |
| Jim J. Williams | ... | color timer (as Jim Williams) |
Casting By
| Janet Hirshenson | ||
| Jane Jenkins | ||
| Amy McIntyre Britt | ||
Production Design by
| Michael Seymour | ||
Costume Design by
| Diah Wymont | ||
Makeup Department
| Helen Evans | ... | assistant hair stylist |
| Julie Lee | ... | key hair stylist |
| Lorena Lopez | ... | assistant makeup artist |
| Josephine Maniscalco | ... | assistant makeup artist |
| Megan Murray Moore | ... | key makeup artist |
| Joe Torrenueva | ... | hair stylist: Mr. Mandylor |
Production Management
| Mark Headley | ... | post-production supervisor |
| C.J. Maguire | ... | production manager |
Second Unit Director or Assistant Director
| Hank Grover | ... | second assistant director |
| François Moullin | ... | first assistant director (as Francois X. Moullin) |
Art Department
| Frank Addotta | ... | construction coordinator |
| Willie Atwell | ... | property master |
| Adina Goldman | ... | property assistant |
| Billy Mitchell | ... | set dresser |
| Assane N'Doye | ... | on-set dresser |
| Hugh Nicol | ... | carpenter |
Sound Department
| Hans Engel | ... | sound effects editor |
| George Flores | ... | boom operator |
| Vince Garcia | ... | sound mixer |
| Craig Jurkiewicz | ... | assistant sound engineer |
| Kurt Kassulke | ... | re-recording mixer |
| Michael Kreple | ... | adr recordist |
| Darrin E. Lile | ... | dialogue editor (as Darrin Lile) |
| Herbert L. McGurk | ... | post audio supervisor |
| Brien Monahan | ... | foley recordist |
| Diane Parrino | ... | foley walker |
| Benjamin Patrick | ... | additional sound mixer (as Ben Patrick) |
| Neil Porter | ... | mag recordist |
| Paul Ratajczak | ... | re-recording mixer / sound supervisor |
| Kerri Wilson | ... | adr editor |
Visual Effects by
| Dan Winthrop | ... | opticals |
Camera and Electrical Department
| Nadia Doueiri | ... | second assistant camera |
| Ziad Doueiri | ... | first assistant camera |
| Brian Louks | ... | gaffer |
| Leslie McAlpine | ... | dolly grip |
| Robbie Meckler | ... | key grip (as Rob Mechler) |
| John Ridenour | ... | grip |
| Sandra N. Sabatine | ... | grip (as Sandra Sabatine) |
| Chris Thornton | ... | electrician |
| Chris Waisanen | ... | electrician |
| Collins Williams | ... | grip |
| Rafael Winer | ... | still photographer |
| Eric Yahraus | ... | best boy |
Costume and Wardrobe Department
| Fei-Wen Cheng | ... | wardrobe intern |
| Maggie Portner | ... | assistant to costume designer |
| Mimi Suh | ... | set costumer |
Music Department
| Linda Goldner Perry | ... | music supervisor |
Script and Continuity Department
| Nicole Stavro | ... | script supervisor |
Additional Crew
| Jonathan Adler | ... | production assistant (as Jon Adler) |
| Anthony Avila | ... | craft service |
| Charles Arthur Berg | ... | set production assistant (as Charles Berg) |
| Mike Breyer | ... | assistant to director |
| Simone De Camargo | ... | production accountant |
| Joseph Dolegowski | ... | set production assistant (as Joe Dolegowski) |
| Melissa Elliott | ... | title designer: end titles (as Melissa Limmer) |
| Phyllis Harrison | ... | production assistant |
| Kirsty Kalkhoven | ... | consultant: avid |
| Sam Khazaeni | ... | production assistant |
| Michael Melamed | ... | production coordinator (as Michael R. Melamed) |
| Janie Marie Oliver | ... | facility general manager |
| Julie Polkes | ... | unit publicist |
| Ed Santiago | ... | consultant: avid |
| Gila Silberman | ... | assistant to executive producer (as Gila 'Mickey' Silberman) |
| Ed Tsai | ... | production assistant |
| Dean Ward | ... | choreographer |
| Bruce Williams | ... | production assistant |
| Dan Winthrop | ... | title designer: main titles |
| Andrew Zucker | ... | legal |
| Dan Winthrop | ... | titles: designer/director (uncredited) |
Production Companies
Distributors
- First Look International (1997) (United States) (theatrical)
- Image Entertainment (2000) (United States) (DVD)
Special Effects
Other Companies
- Axium Payroll Services (payroll services)
- Deforest Report (research)
- Digital Cut Post Inc. (avid film composer provided by)
- Disk Insurance Services Inc. (production and E&O insurance)
- Executive Cutting Service (negative cutting)
- Ground Control Studios (post-production sound services)
- Independent Film Music Services (music supervision)
- Melrose Titles & Opticals (main title design and compositing)
- Melrose Titles & Opticals (titles designed by)
Storyline
| Plot Summary |
Hollywood. 1937. The Golden Age of Cinema. Six women, who come to Hollywood with the dream of becoming famous, find themselves working as stand-ins to the glamorous stars of the era. They gather at their local watering hole for a birthday celebration where they share their hopes and dreams with the bartender Jack, the ringmaster of the "stand-in" circus. During the course of one evening, a new stand-in is introduced to the group, instigating a turn of events which will change their lives forever. Written by Anonymous |
| Plot Keywords | |
| Taglines | Sometimes The Brightest Stars Are The Ones You Never See See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
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Did You Know?
| Trivia | Katherine Heigl's character was Katharine Hepburn's stand-in. Permission was not granted to use Hepburn's name, so references to Rita Hayworth were dubbed in post-production. See more » |
| Goofs | Rita Hayworth was not a star in 1937. It's unlikely she had a stand-in at that time. See more » |