Having always wanted to be a disc-jockey, Howard Stern works his way painfully from radio at his 1970's college to a Detroit station. It is with a move to Washington that he hits on an outrageous off-the-wall style that catches audience attention. Despite his on-air blue talk, at home he is a loving husband. He needs all the support he can get when he joins NBC in New York and comes up against a very different vision of radio.Written by
Jeremy Perkins <firstname.lastname@example.org>
In his final monologue, Kenny Rushton states that he is no longer working in radio and works as a manager of a shopping mall. In real life, Kevin Metheny, whom Kenny is based on, worked in radio until his death in 2014. See more »
When Kenny "hits himself" with the phone during the fight scene with Howard, he gets a bloody nose. When the camera cuts and shows him yelling at Howard, the blood disappears. See more »
Kenny talks about his life after Howard, which eventually becomes a rant about how horrible Howard is. See more »
A leaked workprint version is available for sale on the internet which features deleted scenes, alternate takes, and different music. It also has a completely different voiceover narration by Howard Stern throughout. Major differences include:
John Stamos kneels and grabs "Fartman"'s behind recreating what 'Luke Perry' did in real life.
The montage of Howard in the streets of Washington, D.C. set to Van Halen's "You Really Got Me" is not included.
A longer version of the lesbian sex story in which they are both topless.
Howard, Robin, and Fred run from a mob of adoring fans.
The meeting at NBC Headquarters in which they discuss hiring Howard is not included.
Kim Chan's appearance as a waiter is not included.
The vignette with Gary and a donkey is not included.
During his victory rally, Howard encourages the crowd put up their middle fingers and yell "Screw NBC!"
Howard and the gang announce a segment called "Bestiality Dial-A-Date" which offends a group of elderly stockholders listening to the show. The stockholders call Erlick who then calls Vallesecca. As Howard is leaving the studio, Vallesecca fires Howard and has security escort him out of the building. A clip of this was shown in the trailer.
A video montage in which Howard describes what happened to him and his show after he was fired. This leads to the scene of Howard falling at the Oscars which turns out to be Howard's nightmare.
A little one-sided in it's story telling but it's all very funny
The true story of Howard Stern's "rise" from schoolboy nerd to leading DJ in the USA. This is adapted from his book and is a whirlwind ride through 30 years, with the main focus being on his career at small stations and his big break at NBC. The fact that it is from Stern himself means that the story focuses on his good sides and tends to brush over the more difficult issues relating to his insensitivity towards his wife etc, but that doesn't stop this being a funny enjoyable film.
Stern plays himself with a great sense of self - most of his jokes put himself down rather than being arrogant. This helps endear the audience to him with great effect and makes him more sympathetic. The comedy is very sharp (and rude) throughout and even if we don't get any great insights at least we have a good laugh.
Stern is good in the lead role (admittedly if he can't play himself what can he do!) And his colleagues are also good as themselves. Paul Giamatti is great as the put upon producer at NBC and the rest of the cast is filled out with weird characters. One complaint would be the copious amount of nudity in the film - I realise that it's a true story but it did seem to be put in just to get the audience at times (well....like Stern's show itself I guess).
Overall this plays like a rude Woody Allen film (funny narrative voice-overs) and it has a certain charm to it that towers over the smuttiness to make it feel a much nicer film than it is. Even if you don't know who Stern is (i.e. most people outside of America) this is a very funny enjoyable film.
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