Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
A corporation hires a professional assassin to pose as its trade show representative who must organize the wedding of a Middle Eastern pop star, which will allow him the opportunity to kill a Middle Eastern politician.
Martin Blank is a freelance hitman who starts to develop a conscience, which causes him to muff a couple of routine assignments. On the advice of his secretary and his psychiatrist, he attends his 10th year High School reunion in Grosse Pointe, Michigan (a Detroit suburb where he's also contracted to kill someone). Hot on his tail are a couple of over-enthusiastic federal agents, another assassin who wants to kill him, and Grocer, an assassin who wants him to join an "Assassin's Union."Written by
Debi says her apartment burned down on Devil's Night. This refers to the night before Halloween where traditionally, particularly in Detroit, there is a significant spike in vandalism and arson fires. See more »
Despite never turning around nor leaving the main street of Grosse Pointe, Martin passes the same stores twice. See more »
Okay, well, I'll see you at the "I've peaked and I'm kidding myself" party.
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One of the complaints about movies these days, and justifiably so, is that they're predictable. This movie is not predictable, and I never thought I'd be able to say that about a movie with four credited writers. Every time you think you can guess where it's going, it throws a curve. It was also very funny, which is nice because good comedies are becoming a rare species. John Cusack continues to show what a great actor he is as hitman Martin Blank. He doesn't wink at the audience, saying, Oh look, I'm a hitman, but plays him as normal, with the right amount of misgivings and tenacity. Minnie Driver is quite good as the woman he's still obsessed with (although she was good in GOOD WILL HUNTING, she should have been nominated for this performance), and Alan Arkin and Jeremy Piven were good, as ever, in support. The surprise, however, is Dan Aykroyd. Just when I was prepared to write him off forever, he comes through with a great performance here. The soundtrack is terrific too, avoiding the cliched 80's songs to provide a fresh, and compatible, score.
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