Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Martin Blank is a freelance hitman who starts to develop a conscience, which causes him to muff a couple of routine assignments. On the advice of his secretary and his psychiatrist, he attends his 10th year High School reunion in Grosse Pointe, Michigan (a Detroit suburb where he's also contracted to kill someone). Hot on his tail are a couple of over-enthusiastic federal agents, another assassin who wants to kill him, and Grocer, an assassin who wants him to join an "Assassin's Union."Written by
When Marcella tells Martin about the offer in French about taking out a Greenpeace boat, it's a reference to the 1985 sabotage of the Greenpeace yacht 'Rainbow Warrior' in New Zealand by two French Secret Service agents. The yacht was to lead a fleet to protest French nuclear tests in the Pacific before it was destroyed by the French agents. One Greenpeace photographer died aboard the ship during the sabotage mission. See more »
When DJ-ing, Debbie plays a Specials LP with the Two Tone Label on it. The song she played, Pressure Drop (originally done by Toots and the Maytals), never appeared on any Specials LPs on the Two Tone Label, but on an album released in 1996 called "Specials Today" on Chrysalis Records. See more »
[Martin gives Debi a bouquet of flowers]
I'll go put these in some rubbing alcohol.
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One of the complaints about movies these days, and justifiably so, is that they're predictable. This movie is not predictable, and I never thought I'd be able to say that about a movie with four credited writers. Every time you think you can guess where it's going, it throws a curve. It was also very funny, which is nice because good comedies are becoming a rare species. John Cusack continues to show what a great actor he is as hitman Martin Blank. He doesn't wink at the audience, saying, Oh look, I'm a hitman, but plays him as normal, with the right amount of misgivings and tenacity. Minnie Driver is quite good as the woman he's still obsessed with (although she was good in GOOD WILL HUNTING, she should have been nominated for this performance), and Alan Arkin and Jeremy Piven were good, as ever, in support. The surprise, however, is Dan Aykroyd. Just when I was prepared to write him off forever, he comes through with a great performance here. The soundtrack is terrific too, avoiding the cliched 80's songs to provide a fresh, and compatible, score.
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