Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Martin Blank is a freelance hitman who starts to develop a conscience, which causes him to muff a couple of routine assignments. On the advice of his secretary and his psychiatrist, he attends his 10th year High School reunion in Grosse Pointe, Michigan (a Detroit suburb where he's also contracted to kill someone). Hot on his tail are a couple of over-enthusiastic federal agents, another assassin who wants to kill him, and Grocer, an assassin who wants him to join an "Assassin's Union."Written by
When Debi tells Martin in her bedroom that he's a "...psycho," she can be seen moving her hand as though talking. In an interview, John Cusack said that this was an ad-lib, as Minnie Driver had seen John and Joan Cusack doing something similar with each other on the set, off-camera. See more »
When Martin is in the car with Mr. Newberry, palm trees are clearly visible in the background. There are no palm trees in Detroit. See more »
Man, why don't we just do his job, so we can do our job and get the fuck out of here?
What do you mean, "do his job?" What am I, a cold-blooded killer? I'm not a cold-blooded killer.
Now, wait a minute...
No, you wait a minute. You want to kill the good guy but not be the bad guy. Doesn't work like that. You have to wait until the bad guy kills the good guy, then when you kill the bad guy, you're the good guy.
So - just to clarify - if we do his job we're the bad guys, and if we do our job ...
[...] See more »
One of the complaints about movies these days, and justifiably so, is that they're predictable. This movie is not predictable, and I never thought I'd be able to say that about a movie with four credited writers. Every time you think you can guess where it's going, it throws a curve. It was also very funny, which is nice because good comedies are becoming a rare species. John Cusack continues to show what a great actor he is as hitman Martin Blank. He doesn't wink at the audience, saying, Oh look, I'm a hitman, but plays him as normal, with the right amount of misgivings and tenacity. Minnie Driver is quite good as the woman he's still obsessed with (although she was good in GOOD WILL HUNTING, she should have been nominated for this performance), and Alan Arkin and Jeremy Piven were good, as ever, in support. The surprise, however, is Dan Aykroyd. Just when I was prepared to write him off forever, he comes through with a great performance here. The soundtrack is terrific too, avoiding the cliched 80's songs to provide a fresh, and compatible, score.
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