69 user 32 critic

Onegin (1999)

2:16 | Trailer
Russia, 1820s: Onegin inherits his uncle's country estate and moves there from St. Petersburg. He befriends his neighbor, Lensky, and meets Tatyana through him. She falls in love with Onegin but he just wants friendship.


Martha Fiennes


Peter Ettedgui (screenplay), Alexander Pushkin (poem) | 1 more credit »
3 wins & 4 nominations. See more awards »





Cast overview, first billed only:
Ralph Fiennes ... Onegin
Liv Tyler ... Tatyana
Toby Stephens ... Lensky
Lena Headey ... Olga
Martin Donovan ... Prince Nikitin
Alun Armstrong ... Zaretsky
Simon McBurney ... Triquet
Harriet Walter ... Madame Larina
Jason Watkins ... Guillot
Irene Worth ... Princess Alina
Gwenllian Davies Gwenllian Davies ... Anisia
Margery Withers Margery Withers ... Nanya
Geoffrey McGivern ... Andrey Petrovitch (as Geoff McGivern)
Tim McMullan ... Dandy 1
Tim Potter ... Dandy 2


In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally, regret. Through his best friend Lensky, Onegin is introduced to the young Tatiana. A passionate and virtuous girl, she soon falls hopelessly under the spell of the aloof newcomer and professes her love for him. Written by Dawn M. Barclift

Plot Summary | Add Synopsis


Drama | Romance

Motion Picture Rating (MPAA)

Rated R for brief violence and a sexual image | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Liv Tyler had starred opposite Ralph Fiennes's brother Joseph and Lena Headey's boyfriend at the time Jason Flemyng in Stealing Beauty (1996). See more »


The song played at Tatiana's Naming Day feast - "On the Hills of Manchuria" - could not be played there, as the movie is set in the first half of the 19th century, and the song was written only in 1906 (and named after tragic events of the Russian-Japanese war of 1904-1905 years). See more »


Tatyana Larina: Why? Why do you pursue me like this?
See more »


Version of Evgeniy Onegin (1984) See more »


Mir ist so Wunderbar
from the opera "Fidelio"
Composed by Ludwig van Beethoven
Performed by Ingeborg Hallstein, Christa Ludwig, Gerhard Unger, Gottlob Frick, The Philharmonia Orchestra
Conducted by Otto Klemperer
See more »

User Reviews

A truly great period drama, beautifully shot, acted and directed.
10 September 1998 | by Spiral-2See all my reviews

[Note: the following comments were written after a preview screening for the film 'Onegin', Tuesday 8th October 1998 in Wimbledon, London. The film was still a 'work in progress', with some cleaning up to be done on the sound track and most of the scene transitions somewhat shoddy. The film's title was not 'Eugene Onegin', but simply 'Onegin'.]

The idea of an adaptation of a 19th century Russian novel about unrequited love will clearly not appeal to everyone, especially given the considerable number of period dramas that have come before it. However, 'Onegin' distinguishes itself both by its sparkling script, its stunning locations and by the outstanding efforts of both director and cast.

As an extremely critical film viewer, no-one was more surprised than I that when facing an audience response sheet for the film I could not think of a single scene I did not enjoy whilst running out of space to list all the scenes that I loved!

The cast, headed by Ralph Fiennes (Onegin) and Liv Tyler (Tatiana), acquit themselves admirably and I will be very disappointed if one or both do not receive Oscar nominations for their performances. Toby Stephens (Lensky), in one of the key supporting roles, is equally superb, especially when being played off as the emotional loose cannon to Fiennes' laconic and cynical Onegin.

The locations - especially the millpond at which some of the film's key scenes take place - are stunningly shot, and the camerawork in general is a cut above most films. The directors decision to let sound and vision take upon some of the personality of the central characters at key moments only serves to underline the emotional content of the film.

As an example, when Tatiana writes her letter to Onegin, the camera views what she writes only in close up - single words, giving the viewer a sense of the obsession and passion that is working in her. As she writes, her hands become more and more stained with ink and eventually we see her trying to wipe the ink from her hands as if she is stained with guilt.

As I intimated before, this is not a film for all people. There is little action, and most of the story rests upon the simple interaction between Onegin, Tatiana and Lensky. But it builds with grim inevitability to an emotional climax which left me strangely delighted that there are still film makers out there who can produce truly great movies.

The film it most reminded me of was 'Remains of the Day', but whilst I found that to be labored and frustrating (I almost wished that the central characters were in the room so I could slap them for being so foolish), the characters and situations in 'Onegin' are tragically believable. I found myself sympathizing with all three of the central characters, for entirely different reasons.

I cannot recommend this film highly enough to anyone who has ever enjoyed a period drama, a nineteenth century novel or suffered through unrequited love. Martha Fiennes is a director worth keeping an eye on.

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English | French

Release Date:

19 November 1999 (UK) See more »

Also Known As:

Onegin See more »


Box Office


$14,000,000 (estimated)

Opening Weekend USA:

$8,855, 19 December 1999

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:




Aspect Ratio:

1.85 : 1
See full technical specs »

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