A model has her rich, much older husband come with her to a photo shoot. But when their plane crashes in the middle of nowhere, a strong mind game erupts between the clever husband and the jealous young photographer as they try to get back to civilization.Written by
Steve Richer <firstname.lastname@example.org>
Just before the end credits start rolling, a caption appears on the screen: "Twentieth Century Fox and the producer wish to thank Bart the Bear and his trainer Doug Seus, for their contribution to this film." See more »
I had low expectations going into this movie, but after about ten minutes I was hooked. The cinematography is lush, the music is warm and hearty and the script is fresh and furious. At times, the film is slow, and it is during these moments that you realize the depth and emotion injected into these characters via Mamet's crystal-clear and poignant dialogue. It touches on primal fears (territory, survival, fear, shame, love and jealousy) and it delivers moral commentary on all of the above. Did I also mention that this movie is a thriller too? Hopkins is at his best as the calm and thoughtful Charles Morse, billionaire and bored with his ivory tower lifestyle. His counterpart, Mr. Baldwin is a slimy and petty fashion photographer, Bob Green. The interaction between the two shows a middle-ground that is brilliant in contrast. Hopkins is a father figure to Baldwin's brash young frenzied Bob. The competition between the two to survive, and ultimately return to civilization (and Charles' wife), sets the stage for a complex and thoughful character drama. Bart the Bear is a star indeed, and while this movie is marketed for having "Jaws with Claws," there is SO much more depth and detail to this movie. This is easily in my top 10 films of all time. It connected with me and I hope you enjoy it too. 10 out of 10!
Best Line: CHARLES: "I have always wanted to do something that was... that was unequivocal"
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