Lisa Dolittle sends her daughter to 'Durango', a Dude Ranch, to find herself. While there, she uses her talent to talk to the animals in order to save Durango from being taken over by a neighboring Ranch.
While on a trip to Hollywood to help a celebrity starlet's depressed Chihuahua, Maya Dolittle (Kyla Pratt) gets caught up in the Hollywood glitz and glamour when she is offered her own TV ... See full summary »
Brandon Jay McLaren
Dr. John Dolittle has the world in his hands: A beautiful wife at his side, two adorable daughters and a career that could not go better. One night, he nearly runs over a dog with his car. The dog yells "bonehead" and disappears. From then on, his childhood ability is back: To communicate with animals. Unfortunately, the word of Dolittle's ability is spreading quickly. Soon, many animals from rat to horse flock to his place to get medical advice. But his colleagues suspect he's going mad, and as the clinic Dolittle used to work for is about to being taken over for a huge amount of money, many decisions have to be made. Believe him? Put him into a mental institution? Sell the clinic? But also his family is close to breaking apart. Until a circus tiger falls seriously ill.Written by
Julian Reischl <email@example.com>
When John is leaving Rodney by the side of the road, you can see the reflection of people in the side of the vehicle, most likely the camera crew. See more »
You know, they say the great thing about being a kid is, it's so easy to pretend. You can have a conversation with your dog or a baseball or a banana. Well, what if wasn't pretend? What if you could have a conversation. I mean, not with a baseball or a banana - that's ridiculous, but - but with your dog?
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John Dolittle was a worrying child his father always caught him pretending to talk to animals and eventually had to get him to stop it. As an adult, his gift is long forgotten until he hits a dog with his car and hears it talk to him. When he realises that he is not going crazy and he can talk to them he is suddenly inundated with animals to treat, his family is falling apart and his business partners think their whole business is at risk.
Eddie Murphy basically rebuild his career around a couple of big comedy remakes which relied on humour and effects. Here the humour consists of good lines and the effects the animatronic animals. The plot is the weakest point of the film and, although it has a basic story, it never really involves or becomes important. Supporting the film then is some funny lines (rather than consistent jokes) from the animal support cast whether it be main characters (Rodney the hamster) or quick one-liners (`I am Kyser Soze').
The effects are surprisingly ropey they look good but they don't move naturally and the cuts between the real animals and the puppets are very clear. The support cast basically carry the movie and save it from being pretty dire stuff. Rock, Brooks, MacDonald, Leguizamo, Shandling etc all do good work and their dialogue basically consists of one-liners rather than anything else. Beside this the adult cast look like straight men. Murphy is quite dull and even the likes of Platt and Boyle (who usually do OK in small roles) have little to do.
Overall this is fun to watch simply because of the support cast and the regular sharp lines of dialogue from the animals. However, look for any more than that and you'll be disappointed.
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