John Murdoch awakens alone in a strange hotel to find that he has lost his memory and is wanted for a series of brutal and bizarre murders. While trying to piece together his past, he stumbles upon a fiendish underworld controlled by a group of beings known as The Strangers who possess the ability to put people to sleep and alter the city and its inhabitants. Now Murdoch must find a way to stop them before they take control of his mind and destroy him.Written by
New Line Cinema forced Alex Proyas to include the opening narration by Kiefer Sutherland, which gives away several plot reveals. Proyas objected to it, saying it was unnecessary, and he subsequently removed the narration from his director's cut. See more »
(at around 60 mins) The cable holding John Murdoch when he jumps from the doorway to the building when being bitten by Mr. Sleep. See more »
First there was darkness. Then came the strangers. They were a race as old as time itself. They had mastered the ultimate technology. The ability to alter physical reality by will alone. They called this ability "Tuning". But they were dying. Their civilization was in decline, and so they abandoned their world seeking a cure for their own mortality. Their endless journey brought them to a small, blue world in the farthest corner of the galaxy. Our world. Here they ...
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SPOILER: In the director's cut, there is additional footage showing that the hooker John meets at the automat has a daughter. When Emma and Inspector Bumstead go to the hooker's apartment, Emma finds the daughter under a bed with a drawing showing the Strangers killing her mother. See more »
For science fiction fans the late 90s were great years. The most famous and popular of all was The Matrix but Alex Proyas's much more thought-provoking(which is saying something as the Matrix, at least the first movie was very thought provoking itself) film is just as good. No movie can ever have too much atmosphere, and Dark City exudes it from every frame of celluloid. Alex Proyas' world isn't just a playground for his characters to romp in -- it's an ominous place where viewers can get lost. We don't just coolly observe the bizarre, ever-changing skyline; we plunge into the city's benighted depths, following the protagonist as he explores the secrets of this grim place where the sun never shines. Visually, this film isn't just impressive, it's a tour de force. Thankfully, Dark City doesn't have an "all style, no substance" problem, either, because there's a mind-challenging story to go along with the eye candy. Proyas hasn't written this film for the passive viewer. To become involved in Dark City, thinking is mandatory.
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