An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.
Director:
Anthony Waller
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Title: An American Werewolf in Paris (1997)
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3 wins & 1 nomination.
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Cast
| Cast overview, first billed only: | |||
| Tom Everett Scott | ... | Andy McDermott | |
| Julie Delpy | ... | Serafine Pigot | |
| Vince Vieluf | ... | Brad | |
| Phil Buckman | ... | Chris | |
| Julie Bowen | ... | Amy Finch | |
| Pierre Cosso | ... | Claude | |
| Thierry Lhermitte | ... | Dr. Thierry Pigot | |
 |
Tom Novembre | ... | Inspector LeDuc |
| Maria Machado | ... | Chief Bonnet | |
|
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Ben Salem Bouabdallah | ... | Detective Ben Bou |
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Serge Basso | ... | Officer with Flashlight |
| Charles Maquignon | ... | Bouncer | |
|
|
Jochen Schneider | ... | Lycanthrope |
| Alan McKenna | ... | Lycanthrope | |
|
|
Hervé Sogne | ... | Lycanthrope |
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Plot Summary
|
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Storyline
The daughter of the werewolf from AWIL is alive and living in Paris where her mother (from the first film) and stepfather are trying to overcome her lycanthropic disease. A trio of American tourists on a thrill seeking trip around Europe manage to stop her from plunging to her death from the top of the Eiffel tower and are embroiled in a horrific but often hilarious plot involving a secret society of werewolves based in the city and a drug which allows werewolves to change at any time... This time there's no need for a full moon... Written by Ben Jewitt <moribund.boy@mcmail.com>
Taglines:
Things are about to get a little hairy.Motion Picture Rating (MPAA)
Rated R for werewolf/violence and gore, and for some sexuality/nudity | See all certifications »Parents Guide:
View content advisory »
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See full technical specs »
Details
Release Date:
25 December 1997 (USA) See more »Also Known As:
An American Werewolf in Paris See more »Edit
Box Office
Budget:
$25,000,000 (estimated)Opening Weekend USA:
$7,600,878, 28 December 1997Gross USA:
$26,570,463Cumulative Worldwide Gross:
$26,570,463Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
1.85 : 1
Edit
Andy McDermott: No, no, no you're dead!
Amy Fitch: No, I ain't so lucky. I am undead and as your rotting sidekick I am cursed to remain a restless spirit until you die!
Brad: Not so fast! You want my buddy dead, nutball you're gonna have to wait. I need him first. He's no use to me as a corpse
Amy Fitch: I waited four year's on a stairmaster to get a package like this. You ripped through it like a lamb chop!
Brad: Don't blame me Andy, ...
[...]
See more »
Written by Jim Newquist
Performed by Caroline's Spine
Courtesy of Hollywood Records
See more »
Did You Know?
Trivia
Phil Buckman didn't like wearing the daredevil tour jacket, it was his idea to leave it in the basement cell cage. See more »Goofs
After fighting the werewolves in the crypt, Andy goes back to the house and he has a cut on his right shoulder. However, when the werewolves turn up, he runs down the stairs and the cut has now disappeared. See more »Quotes
Amy Fitch: [undead] Thank's for the lovely evening, douche bag! You really know how to show a girl a good time don't you!Andy McDermott: No, no, no you're dead!
Amy Fitch: No, I ain't so lucky. I am undead and as your rotting sidekick I am cursed to remain a restless spirit until you die!
Brad: Not so fast! You want my buddy dead, nutball you're gonna have to wait. I need him first. He's no use to me as a corpse
Amy Fitch: I waited four year's on a stairmaster to get a package like this. You ripped through it like a lamb chop!
Brad: Don't blame me Andy, ...
[...]
See more »
Alternate Versions
When first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending. See more »Connections
Featured in At the Movies: The Postman/Mr. Magoo/Jackie Brown/An American Werewolf in Paris/Afterglow/The Education of Little Tree (1997) See more »Soundtracks
Turned BlueWritten by Jim Newquist
Performed by Caroline's Spine
Courtesy of Hollywood Records
See more »
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It's very hard to compare this movie with American Werewolf in London.There, the first-time seen transformation effects, the plot and the acting were very satisfying, and the movie was a classic of contemporary horror. Here, lots of loose ends in the screenplay and incredibly poor acting made this film enjoyable only for the see-all-terror-movies buffs. The movie shows well the trend of using CG (computer graphics) in every key scene, which really seems artificial and boring after some shots.