200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
The saga continues 200 years after Ripley sacrificed herself for the sake of humanity. Her erstwhile employers long gone, this time it is the military that resurrects the one-woman killing machine through genetic cloning to extract the alien from within her, but during the process her DNA is fused with the queen and then the aliens escape. Now Ripley must decide where her allegiance lies.
The studio wanted to cut the scene preceding Ripley's encounter with the alien queen because of its rather sexual nature. They decided to keep it when Sigourney Weaver threatened to not promote the film if the scene was cut. See more »
The background extras in the "lifeboat" that escapes are the exact same as the ones in the lifeboat that the alien gets into, right down to their seating positions, showing this was one scene that got divided into two. See more »
My mommy always said there were no monsters. No real ones. But there are.
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Many of the creature effects casting and mold making crew. Some long standing, heavily contributing members, were omitted from the credits. Supposedly due to budget concerns. See more »
In the theatrical release, H.R. Giger is not credited for his part in the design of the Aliens. The video release has his name in the closing credits. See more »
Although most would view it as an attempt to revive what is called an already dead series, it is actually a great movie with true intrigue and innovation.
First off, let me say that I LOVE the Alien series, so please acknowledge that. Here's what I think: The first two Alien films were outstanding. The first is the scariest movie of all time, and the second is the best action film of all time. I think the third was okay, because it did achieve the dark and creepy feel it was going for, but was also a bit of a disappointment. What I think everyone didn't acknowledge about the film was the fact that it did a damn good job of resurrecting the aliens. Think about it. How else can you make a story that takes place after the third one and still star Sigourney Weaver? Don't say to say the third one was a dream, because then that would be corny and immature. I thought that the story was very good. The characters, although slightly wooden, were very well drawn. Several people say that the old Ripley was gone, but by the end of the film, she was acting just like the good ol' gal we all know and love. And something that only one critic acknowledged was this: the newborn alien. WOW! That thing was ugly and scary as hell! That's the type of alien you need for the ending. You've been seeing the same old alien for 3.75 films now, and you've pretty much gotten scared by the creatures as much as you could, why not bring some fresh meat on the scene? And plus, you have to include the alien tradition of battling a new alien at the end of each film. In the first one, Ripley battled a normal alien. In the second one, Ripley battled a queen. And in the third one, Ripley battled a dog alien. To continue the tradition, Ripley battled a human alien. And if I may say, that thing is the scariest of them all. What I don't understand is that everyone says that this series ran out of steam by the beginning of the third one. I disagree. The Alien films still have a flare going, but a fifth one would be all that you could have before the flame burns out. I expect the fifth to be REALLY good, but also tie up the entire story and give an accurate epilogue to the series. And think about this: You're not going to resurrect a series like this just so that you can end the series again just before the credits of the said film. Alien Resurrection was a good movie, and I think that it was as innovative as a third Alien sequel could be.
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