Touching Evil is a crime drama following the exploits of a crack squad on the Organised & Serial Crime Unit, a rapid response police force that serves the entire county.
A second victim is discovered,slain in exactly the same fashion as the first and earning the murderer the tag of the Garbage Bag Killer. Creegan concludes that although the women's husbands were from...
Creegan returns to duty against official orders as Anthony Matchin, a man he helped convict for killing his wife,is released from prison on appeal,returning to his home town of Ellandon. Shortly ...
DI Dave Creegan is shot and,whilst unconscious,has a near death experience which,on recovery,leaves him with the ability to sense criminals. Joining the Organized and Serial Crime Unit with inspector...
Touching Evil is a crime drama following the exploits of a crack squad on the Organised & Serial Crime Unit, a rapid response police force that serves the entire county.Written by
Loryn <scearley@hotmail.com>
I stumbled over this one on a Sunday afternoon during a top-ot-the-hour channel surf. Readjusting my American viewing apparatus to accept a cop drama that was cut at less than 10 edits a minute, this baby snared me hard. I drooled until I was able to catch the rest of the episodes, and I found myself moving through the day hungering to answer the phone, "D.I Creegan..."
This show rocks in that the viewer is REQUIRED TO WORK to figure out the details of the backstory, relationships that existed before, and to hang onto a storyline that is not concerned with over-explaining; you need to keep up with the pace. This story is real and happening, transferring a realistic impression of copwork from the inside, tempered with just enough "X-Files" in their "Elite Special Ops Force (or whatever it's called)" to be convincing not in the fantastic/horrific, but in The REALITY. No passivity in attention here; snooze=loose.
Think the complex, multi-episodicness of "The Prisoner" with the acting/directing savvy of "NYPD Blue" and the cinematic re-par-te of, say, John Sayles if he were to shoot contemporary London. (The EXT. - NIGHT's are a little too blue for me, but hell, I ain't the shooter...)
"Touching" is pretty dang good, guv-nuh, as hard-boiled as you'll get across the Pond.
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I stumbled over this one on a Sunday afternoon during a top-ot-the-hour channel surf. Readjusting my American viewing apparatus to accept a cop drama that was cut at less than 10 edits a minute, this baby snared me hard. I drooled until I was able to catch the rest of the episodes, and I found myself moving through the day hungering to answer the phone, "D.I Creegan..."
This show rocks in that the viewer is REQUIRED TO WORK to figure out the details of the backstory, relationships that existed before, and to hang onto a storyline that is not concerned with over-explaining; you need to keep up with the pace. This story is real and happening, transferring a realistic impression of copwork from the inside, tempered with just enough "X-Files" in their "Elite Special Ops Force (or whatever it's called)" to be convincing not in the fantastic/horrific, but in The REALITY. No passivity in attention here; snooze=loose.
Think the complex, multi-episodicness of "The Prisoner" with the acting/directing savvy of "NYPD Blue" and the cinematic re-par-te of, say, John Sayles if he were to shoot contemporary London. (The EXT. - NIGHT's are a little too blue for me, but hell, I ain't the shooter...)
"Touching" is pretty dang good, guv-nuh, as hard-boiled as you'll get across the Pond.