A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
A wild, freeform, Rabelaisian trip through the darkest recesses of Edinburgh low-life, focusing on Mark Renton and his attempt to give up his heroin habit, and how the latter affects his relationship with family and friends: Sean Connery wannabe Sick Boy, dimbulb Spud, psycho Begbie, 14-year-old girlfriend Diane, and clean-cut athlete Tommy, who's never touched drugs but can't help being curious about them...Written by
Michael Brooke <email@example.com>
Baby Dawn had to be re-cast as the original child cried too much when left on set. See more »
After Renton has sex with Diane, he has nothing on his penis, but once he gets kicked out into the hallway, he pulls a condom off. See more »
Mark "Rent-boy" Renton:
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck ...
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The voice-over during the end of the end credits cites the seven movies in which Sean Connery played "James Bond". See more »
The UK cinema version was uncut but video versions were cut by 14 seconds by the BBFC and slightly edited the needle puncturing the skin during Renton's overdose scene. In 2002 these cuts were waived. See more »
An extremely competent look at the Scottish drug-Scene, Trainspotting is a perfect example of the potential of the UK industry to tell a story of tragedy, horror and hope in a manner that the American industry has yet to do without drifting into tired Cliche. While the manner and style of delivery are extremely funny and at times appear almost unreal, the fact remains that these characters are real. The clearly psychotic and alcoholic Begbie, played by Robert Carlyle is a supporting role that is actually of immense value to the film. Here we have character who I've met, you've met and we've all met. A man with very little to lose absorbed in a sea of alcohol and prone to violence. I choose him as example because he isnt even involved in the drug-scene in which the main characters are central. In fact his opposition is somewhat humorous when we consider his own vices make him argueably worse off and the incidences of violence he becomes involved in
are most definitely black humour. Considering what is actually happening isnt funny, watching it play out, aside from one major incident, is extremely funny. And that is the tone of the film throughout, as characters continually talk nonsence and sail through the lives they have chosen, making very little progress, but instead drifting downwards until an opportunity presents itself to change their ways, where upon Renton, Ewan McGregor, must make a choice between his own life or his friends. McGregor himself is excellent in the film that made him, as is Jonny Lee Miller, who surprised me in this film by having a more thought-provoking character than the script and time strictly allowed considering his relatively minimal place in the main storyline. Ewen Bremner provided some excellent and often well-needed comic relief and Carlyle as I mentioned, was outstanding. This film is both real and unreal, taking the Humour of "Human Traffic" and the somber tone of "My name is Joe" and blending them together to create an unforgettable experience vividly accompanied by strains of "Perfect day" and other cultural and nostalgic sounds, particularly of the place and period. Trainspotting has been accused of glamourising drug-use but I firmly believe anyone who takes this view hasnt watched it properly. The fun is equally, if not more so, matched by some nasty images and for the time it was released, provided what was a very necessary look at the growing drug industry, the loss it creates and the hope that can arise. Superb.
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