A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer who plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
Anna Manni is a policewoman trying to capture a vicious serial rapist and killer. The problem is that she suffers from "Stendhal's syndrome", a psychosomatic disease that gives her dizziness and hallucinations when she is exposed to the sight of paintings and artistic masterpieces. When the maniac lures her into a trap inside Florence's famous Uffizi museum, her troubles are just beginning...Written by
Giancarlo Cairella <email@example.com>
Though featuring prominently during the film's opening sequence set at the Uffizi in Florecne, Peter Bruegel's 'Landscape with the Fall of Icarus' is actually housed at the Royal Museum of Fine Arts of Belgium in Brussels. See more »
The Italian release is around two minutes longer than the English export version, including an additional scene where Anna calls the husband of one of Alfredo's victims, and another where she meets Marie's mother, played by Veronica Lazar (whose name is included in the credits of all versions, even those in which she does not appear). See more »
I don't really understand why so many Argento fans dislike this film, I think it's one of his best works. It's not always easy to watch, it has some very nasty violence, even for an Argento film, I wouldn't recommend the film to sensitive persons; but it's not for exploitational purposes. Argento does a good job of juggling real-life horrors with a dreamy, hallucinatory atmosphere, and pulls off some typically Argento-esque setpieces, such as the one in which a bullet is followed through a woman's mouth with the aid of CGI. The great Ennio Morricone delivers possibly his best score for a horror film, the haunting main theme with his trademark wordless female vocals stayed with me long after the film was over. Frequent Fellini cameraman Giuseppe Rotunno does an excellent job on the film too.
The Stendhal Syndrome isn't for everyone, but it's worth a viewing for fans of European horror and psychological thrillers in general.
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