Can a Batman movie be directed by anybody? Not necessarily. Let's travel through the lens to break down the artistic chops director Matt Reeves will need for his take on The Batman.
Claude Bukowski leaves the family ranch in Oklahoma for New York where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside.
Director:
Milos Forman
Stars:
John Savage,
Treat Williams,
Beverly D'Angelo
A young, reformed gambler must return to playing big stakes poker to help a friend pay off loan sharks, while balancing his relationship with his girlfriend and his commitments to law school.
France before 1789: When a widow hears that her lover is to marry her cousin's daughter, she asks the playboy Valmont to take the girl's virginity. But first she bets him, with her body as prize, to seduce a virtuous, young, married woman.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Director:
Oliver Stone
Stars:
Charlie Sheen,
Michael Douglas,
Tamara Tunie
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
Director:
Brett Ratner
Stars:
Anthony Hopkins,
Edward Norton,
Ralph Fiennes
Two friends, a priest and a rabbi, fall in love with the same woman they knew in their youth, but the religious position of both men denies them romance.
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people.Written by
Kenneth Chisholm <kchishol@execulink.com>
When Milos Forman was interviewed on Charlie Rose (1991) to promote this movie, he said that he felt that this was his best film. See more »
Goofs
When Larry finds Althea in the bathtub, he pulls her out of the water by the throat. For the rest of the scene you can see her swallow and sometimes wince in pain, even though she's dead. See more »
Quotes
Larry Flynt:
[incredulously]
25 years? All I'm guilty of is bad taste.
See more »
As Larry Flynt is hardly the usual type of person you think of when you think of the word "hero," it's fitting that this biopic opts not for the standard approach, but to make an offbeat comedy(as writers Scott Alexander and Larry Karaszewski did in their screenplay for ED WOOD and the upcoming MAN ON THE MOON, about controversial comedian Andy Kaufman). You may not like him(and one of two faults I had with this film was I think the filmmakers lionized him a little too much), but certainly any society which calls itself free needs to make room for him. Harrelson does a good job in the title role, but the real force for me came from Courtney Love, in an astonishing performance as Flynt's wife, and Edward Norton, one of the best new talents, as Flynt's reluctant lawyer.
Besides that it does lionize Flynt a little too much, there is one problem I had, though. If you believe the film, all of Flynt's opposition came from right-wing blowhards like Charles Keating and Jerry Falwell. Certainly, they did have the most publicized tussles with him. But to ignore the problems he had with feminists makes it rather limited. I don't agree with Gloria Steinhem's contention that the film ignores his depraved side, but I think the film would have been more interesting if it had addressed the opposition he had from both the left and the right. Still, this is a terrific and important film to remind us what freedom really is.
57 of 61 people found this review helpful.
Was this review helpful to you?
| Report this
As Larry Flynt is hardly the usual type of person you think of when you think of the word "hero," it's fitting that this biopic opts not for the standard approach, but to make an offbeat comedy(as writers Scott Alexander and Larry Karaszewski did in their screenplay for ED WOOD and the upcoming MAN ON THE MOON, about controversial comedian Andy Kaufman). You may not like him(and one of two faults I had with this film was I think the filmmakers lionized him a little too much), but certainly any society which calls itself free needs to make room for him. Harrelson does a good job in the title role, but the real force for me came from Courtney Love, in an astonishing performance as Flynt's wife, and Edward Norton, one of the best new talents, as Flynt's reluctant lawyer.
Besides that it does lionize Flynt a little too much, there is one problem I had, though. If you believe the film, all of Flynt's opposition came from right-wing blowhards like Charles Keating and Jerry Falwell. Certainly, they did have the most publicized tussles with him. But to ignore the problems he had with feminists makes it rather limited. I don't agree with Gloria Steinhem's contention that the film ignores his depraved side, but I think the film would have been more interesting if it had addressed the opposition he had from both the left and the right. Still, this is a terrific and important film to remind us what freedom really is.