6.8/10
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304 user 107 critic

The Long Kiss Goodnight (1996)

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2:25 | Trailer
A woman suffering from amnesia begins to recover her memories after trouble from her past finds her again.

Director:

Renny Harlin

Writer:

Shane Black
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Popularity
4,909 ( 18)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Geena Davis ... Samantha Caine (Charly)
Samuel L. Jackson ... Mitch Henessey
Yvonne Zima ... Caitlin
Craig Bierko ... Timothy
Tom Amandes ... Hal
Brian Cox ... Nathan
Patrick Malahide ... Perkins
David Morse ... Luke / Daedalus
Joseph McKenna Joseph McKenna ... One-Eyed Jack
Melina Kanakaredes ... Trin
Dan Warry-Smith ... Raymond
Kristen Bone Kristen Bone ... Girl #1
Jennifer Pisana Jennifer Pisana ... Girl #2
Rex Linn ... Man in Bed
Alan North ... Earl
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Storyline

Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

Eight years ago she lost her memory. Now, a detective must help her remember the past before it buries them both. What's forgotten is not always gone. See more »


Motion Picture Rating (MPAA)

Rated R for a substantial amount of strong bloody violence, and for strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

11 October 1996 (USA) See more »

Also Known As:

The Long Kiss Goodnight See more »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$9,065,363, 13 October 1996

Gross USA:

$33,447,612

Cumulative Worldwide Gross:

$89,456,761
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | Dolby SR

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Sam Jackson and Brian Cox have appeared films based on Marvel Comics See more »

Goofs

There is no reason to have a water mill wheel controlled by a hand winch, except as a movie torture device. The traditional purpose of such a wheel is to derive power from the flowing water, and supply it to some mechanism (such as a grain mill or saw mill). Not for some mechanism to spin the wheel through the water. See more »

Quotes

Nathan: Alice, please. Your dog, Alice. It and my appetite are mutually exclusive.
Alice: Well, what's wrong with the dog?
Nathan: Simple. He's been licking his asshole for the last three straight hours. I submit to you that there is nothing there worth more than an hour's attention. I should think that whatever he is attempting to dislodge is either gone for good, or there to stay. Wouldn't you agree?
See more »

Alternate Versions

French DVD contains some deleted scenes. See more »


Soundtracks

The Chair
Written by Jars of Clay
Produced and Performed by Jars of Clay
Recorded at Recording Arts, Nashville, Tennessee
Mixed at Masterfonics, Nashville, Tennessee
Mixed by Jim Rondinelli
Courtesy of Silvertone/Essential Records
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Frequently Asked Questions

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User Reviews

A Great Film
29 December 2007 | by blissfilmSee all my reviews

I disagree with the reviewer who said this film is not for the "cerebrally-minded." I happen to be somewhat the cerebral type, and I think this is a great film; I love it and have seen it many times.

For me, the great things about this film add up to a woman with a full-on assertive, resourceful personality. Of course the drama is all about the wonderful mother and teacher discovering something else true about herself - and learning to merge the two once she "remembers herself." In the end, her love for her daughter and the tender nurturing person she is merges with the resourceful assertive person who is willing to fight and not give up. Even her daughter has taken on the "don't give up" when Mom is down. I would think there's a part in many of us women that can relate to all of this. And that might explain the box office failure and the rerun hit: women had to discover what I imagine was billed as a pure action film

Samuel L. Jackson is his own type of hero, flaws and all, and nobody could say enough about him. He's another complex character: down-to-earth with a street reality perspective, lower than the average poor man's detective and fairly desperate himself. And yet heroic in the clinch and full of his own kind of love and respect for what he values in women. He's just the man to take her on, and let her know when she's -not- okay. The characters pair in a sort of perfectly out-of-the-box way. So, this "cerebral type" says that this is great writing in terms of characters and storyline. And the violence is an integral part of those characters and story, not added flash or excitement that doesn't tell us anything about their lives or the urgency of their experiences.

And, last but not least, this is a comedy! Great dialogue (and I don't know who else could have played it like Jackson). So take that glitzy action as part of what makes a comedy work here!


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