Samantha Caine, suburban homemaker, is the ideal mom to her 8 year old daughter Caitlin. She lives in Honesdale, PA, has a job teaching school and makes the best Rice Krispie treats in town. But when she receives a bump on her head, she begins to remember small parts of her previous life as a lethal, top-secret agent. Her old chums in the Chapter are now out to kill her so she enlists the help of a cheap detective named Mitch. As Samantha remembers more and more of her previous life, she becomes deadlier and more resourceful. Both Mitch and Charly proceed to do the killing thing, the bleeding thing and the shooting thing.Written by
Tony Fontana <email@example.com>
Geena Davis and then-husband Director Renny Harlin checked how long she could hold her breath in their bathtub to prepare for the "water torture" scene. See more »
The grenade in the station corridor is a fragmentation type. Fragmentation grenades do not produce huge rolling fireballs; and if they did, the fireball would spread much too rapidly to run ahead of. See more »
I'm goin' in.
You can't there's too many of them.
Well kill them for me, bitch! What else you good for?
See more »
French DVD contains some deleted scenes. See more »
Let It Snow, Let It Snow, Let It Snow
Written by Sammy Cahn and Jule Styne
Performed by Dean Martin
(from the 1959 album "A Winter Romance")
Courtesy of Capitol Records
under License from EMI-Capitol Music Special Markets See more »
I disagree with the reviewer who said this film is not for the "cerebrally-minded." I happen to be somewhat the cerebral type, and I think this is a great film; I love it and have seen it many times.
For me, the great things about this film add up to a woman with a full-on assertive, resourceful personality. Of course the drama is all about the wonderful mother and teacher discovering something else true about herself - and learning to merge the two once she "remembers herself." In the end, her love for her daughter and the tender nurturing person she is merges with the resourceful assertive person who is willing to fight and not give up. Even her daughter has taken on the "don't give up" when Mom is down. I would think there's a part in many of us women that can relate to all of this. And that might explain the box office failure and the rerun hit: women had to discover what I imagine was billed as a pure action film
Samuel L. Jackson is his own type of hero, flaws and all, and nobody could say enough about him. He's another complex character: down-to-earth with a street reality perspective, lower than the average poor man's detective and fairly desperate himself. And yet heroic in the clinch and full of his own kind of love and respect for what he values in women. He's just the man to take her on, and let her know when she's -not- okay. The characters pair in a sort of perfectly out-of-the-box way. So, this "cerebral type" says that this is great writing in terms of characters and storyline. And the violence is an integral part of those characters and story, not added flash or excitement that doesn't tell us anything about their lives or the urgency of their experiences.
And, last but not least, this is a comedy! Great dialogue (and I don't know who else could have played it like Jackson). So take that glitzy action as part of what makes a comedy work here!
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