As a young boy, Richard was fascinated with science and objects in motion. This wonderment was reinforced through the efforts of his father. The only thing that mattered as much as science, and his family, was Arline, whom he met when they were both in school. But fate can often be cruel and Arline is found to be stricken by Tuberculosis. Undaunted, Richard studies the disease as he studies science in hopes of curing her. When her disease is in remission, they marry and he proceeds on to college where his studies and the war lead him to Los Alamos to work on the Manhattan Project. While Richard is intrigued with the solution to the project, he is also concerned with the outcome and saddened with the failing health of Arline.Written by
Tony Fontana <email@example.com>
The gate scene at Los Alamos is accurate and Richard had many more pranks that he pulled while working there. Most notably he picked locks. The one unique combination of locks was a series of file cabinets in a mathematicians office where the combinations began with the first few digits of the natural logarithm of e. See more »
She's A Great, Great Girl
Written by Harry M. Woods (as Harry Woods)
Published by Shapiro, Bernstein & Co., Inc. (ASCAP)
Performed by Jack Teagarden
Courtesy of RCA Records See more »
For fans of Feynman's books, this will be a disappointment. Matthew Broderick's performance doesn't capture the fire, playfulness and wonder of Feynman's personality (as do documentaries of his lectures). Furthermore, his direction botches many of the anecdotes, missing the points of emphasis and undermining the quirky humour and sense of irony in the original telling. For example, in the Chinese abacus scene (which is shifted to a much earlier period in Feynman's life), Broderick has Feynman initiate the challenge, whereas in real life, it was the hapless abacus salesman who challenged him, completely unaware that he was taking on a renowned physicist. Therefore, the sense of irony, and of Feinman's idiosyncrasy in the world of mere mortals, is lost. Only Patricia Arquette seems to have captured the essence of the memoirs, despite her often unintelligible dialogue.
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