6.6/10
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44 user 44 critic

I Shot Andy Warhol (1996)

R | | Biography, Drama | 1 May 1996 (USA)
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1:54 | Trailer

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Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to ... See full summary »

Director:

Mary Harron

Writers:

Jeremiah Newton (book), Diane Tucker (research) | 2 more credits »
5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lili Taylor ... Valerie Jean Solanas
Jared Harris ... Andy Warhol
Martha Plimpton ... Stevie
Lothaire Bluteau ... Maurice Girodias
Anna Levine ... Iris (as Anna Thomson)
Peter Friedman ... Alan Burke
Tahnee Welch ... Viva
Jamie Harrold ... Jackie Curtis
Donovan Leitch Jr. ... Gerard Malanga (as Donovan Leitch)
Michael Imperioli ... Ondine
Reg Rogers ... Paul Morrisey (as Reg Rodgers)
Bill Sage ... Tom Baker
Jill Hennessy ... Laura
Coco McPherson Coco McPherson ... Brigid Berlin
Myriam Cyr ... Ultra Violet
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Storyline

Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Add Synopsis

Taglines:

You only get one shot at fame.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language, drug use and brief violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

1 May 1996 (USA) See more »

Also Known As:

Ela Baleou Andy Warhol See more »

Filming Locations:

Detroit, Michigan, USA

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Box Office

Gross USA:

$1,814,290
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Mary Harron was inspired to write the movie after reading the SCUM Manifesto, the anti-men rhetoric Valerie Solanas published in the 1960s. See more »

Goofs

At the conclusion of the film, it states that Valerie Solanas died in 1989. In fact, she dies in 1988, just a few weeks after she turned 52. See more »

Quotes

Paul Morrisey: You call this a groovy light show. I'd rather sit and watch the clothes dryer at the Laundromat. Oh, look. It changed color. Where's a love child? They'll get a kick outta this. Only a hippie would find this even remotely interesting, but I'll tell ya. You spend one day with the hippies, and you realize how truly refreshing and unpretentious, hard core, New York degenerates are.
See more »


Soundtracks

I'll Keep It with Mine
Written by Bob Dylan
Performed by Bettie Serveert
Courtesy of Matador Records
See more »

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User Reviews

Three Good Performances Lost
17 November 2002 | by xteveSee all my reviews

Stephen Dorff and Lili Taylor and Jared Harris are all great in this film, particularly Dorff. But the film's biggest weakness is that everyone in the movie is so weird you don't really care what happens to them. Only Dorff manages to invest his character with enough humanity and vulnerability that you are actually interested to learn of his ultimate fate. I was kind of surprised to learn that Solanis is held up as some kind of proto-feminist lesbian guru when it is obvious she's only twisted and insane.

Imagine if the situation were reversed and Solanis was a man calling for the cutting up of all women and denouncing women as an inferior race. Such a viewpoint would be considered monstrous! Solanis is a crank and a fool, so it's impossible to take her character's world view any more seriously than the guy down by the subway station who mumbles to people who aren't there.

The entire Factory scene is rightly exposed as the pretentious, ridiculous collection of sub-mediocre talent it was. So the viewer isn't surprised when Solanis shoots Warhol, as he couldn't say no to anyone around him and surrounded himself with so many weirdos it was inevitable.



Would this film have been lauded had it been a biopic of Mark David Chapman? I don't see much difference between Solanis and Chapman frankly...both complete, colossal failures in life who managed to gain notierity through murder or attempted murder.

In summary, this was a well-executed take on a rather idiotic topic. I'd rather see the director use her talents to make a movie about people who deserve the effort. Not worthless no-talents like Warhol and Solanis.


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