Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Emma Woodhouse seems to be perfectly content, to have a loving father whom she cares for, friends and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors ... See full summary »
Jonny Lee Miller
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried.Written by
There is an ironic twist surrounding the casting of Kate Winslet, Emma Thompson and Greg Wise. Although they portray love interests on screen, Kate Winslet and Greg Wise dated only briefly in reality before Greg took to Winslet's on-screen sister Emma Thompson. Thompson and Wise were together for 8 years before getting married. Together they have one adopted son and one biological daughter. Interestingly, Richard Lumsden, who portrays Thompson's on-screen brother-in-law Robert Ferrars, is her actual brother-in-law. Lumsden is married to Emma's younger sister, Sophie Thompson, who was also featured in two movie adaptations of Jane Austen's books, Screen Two: Persuasion (1995) and Emma (1996). In Screen Two: Persuasion (1995), Sophie Thompson played the younger sister of the story's main character, Anne Elliot, which was played by Amanda Root, who ironically enough was sought for the role of Marianne in Sense and Sensibility (1995). Root, however, could not accept the role due to her obligations to film Persuasion. In a nutshell, Amanda Root landed a role in a Jane Austen adaptation and was coincidentally asked to star in another one. When she could not appear, another actress who dated the future husband of her on-screen sister's sister was given the role, and her on-screen sister's actual husband portrayed the on-screen brother-in-law of his actual sister-in-law in the same film that she could not star in. See more »
When Mrs. Dashwood is sobbing in her bedroom after the death of her husband, Elinor walks into the room, and Mrs. Dashwood clearly calls her "Emma" the actress's actual name. See more »
I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times. It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century. Although it centers on the relationship of the two sisters and their respective romantic relationships, it also seems to be a salute to the period itself in its precise description of the English country society. It is truthful to Jane Austen's novel, but Emma Thompson's script is fine in its own right, with many omissions and additions to the novel. The acting is superb, Kate Winslet as the typical Romantic dreamer (sensibility) is breathtaking (try not to be moved when her character wanders in the rain to see the house of her beloved and when she whispers half-deranged: 'Willoughby, Willoughby, Willoughby.') is perfect as is Emma Thompson as the rational but equally tormented older sister(sense). Greg Wise is perfect as the dashing semi-Byronic hero Willoughby and Allan Rickman as the mellow Brandon. To say nothing of the art direction, the music or the fantastic image composition. I would recommend everyone with some sort of emotional subtlety to see this film, for the story, the wit, the period and the imagery.
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