A Chinese Odyssey: Part One - Pandora's Box
Original title: Sai yau gei: Yut gwong bou haap
- 1995
- 1h 27m
IMDb RATING
7.5/10
9K
YOUR RATING
A Monkey King is reincarnated in the un human form as Joker, a highwayman oblivious to his original identity and the fact that 500 years earlier, he and his master, the Longevity Monk, were ... Read allA Monkey King is reincarnated in the un human form as Joker, a highwayman oblivious to his original identity and the fact that 500 years earlier, he and his master, the Longevity Monk, were punished and made to stay human.A Monkey King is reincarnated in the un human form as Joker, a highwayman oblivious to his original identity and the fact that 500 years earlier, he and his master, the Longevity Monk, were punished and made to stay human.
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This is a nice movie, including the second part.You can really appreciate the imagination and some twisted sense of humor. Decent fighting scenes, pretty woman and impressive art design. The story is, well, kind of freaky, so all this together make this film very surreal, but entertaining enough. Stephan Chow, genius as usual, is very helpful.
You can see that Jeffrey Lau got a lot on his mind. In this movie he presents identities in crisis, internal struggles, personal development and learning, some religious, cultural and social issues, including sexual problems. All this presented to the viewers through fantastic story, while completely ignoring the laws of Fisics.
But the way he chooses to make his statements or opinions looks strange, simplistic and not complete, at least to Western culture cynic like me. There a lot of movies dealing with the same stuff in another way, more realistic and, that's why, more powerful.
So, it's great Mr Lau are talking and presenting this sort of themes in his personal and interesting own way, but the movie is not for everyone. His extreme fantasy takes the viewers far away from reality, it's all very distant, like some alien world. The plot and the characters are very confusing sometimes, this unbelievable environment seems artificial and doubtful, so the movie has no real impact, no meaningful influence, it's like grabbing water with hand. You know you felt something, but there is nothing left.
You can see that Jeffrey Lau got a lot on his mind. In this movie he presents identities in crisis, internal struggles, personal development and learning, some religious, cultural and social issues, including sexual problems. All this presented to the viewers through fantastic story, while completely ignoring the laws of Fisics.
But the way he chooses to make his statements or opinions looks strange, simplistic and not complete, at least to Western culture cynic like me. There a lot of movies dealing with the same stuff in another way, more realistic and, that's why, more powerful.
So, it's great Mr Lau are talking and presenting this sort of themes in his personal and interesting own way, but the movie is not for everyone. His extreme fantasy takes the viewers far away from reality, it's all very distant, like some alien world. The plot and the characters are very confusing sometimes, this unbelievable environment seems artificial and doubtful, so the movie has no real impact, no meaningful influence, it's like grabbing water with hand. You know you felt something, but there is nothing left.
I remembered watching this movie many years ago and knew that it would be an instant classic. It wasn't so much of the slapstick humor that made Stephen Chow famous but the depth of the story line that rarely exists in HK productions.
Using an important part of the classic story, "Journey to the West", the director attempted to retell the story of how the Monkey god (Sun Wu Kong) was tamed and willingly escorted the Longevity Monk on a journey to India (West) to receive the sacred buddhist scriptures. In the original text, Monkey was captured by the great lord Buddha and entraped under the "5 Fingers Mountain" (Hand of Buddha) for 500 years where he was tamed and then saved by the Longevity Monk.
In the movie adaption, he was appointed the protector of the Longevity Monk but strayed from the path of holiness when he fell in love with a demoness and tried to sell out his master (the demons believed by eating his flesh, they would gain immortality). Monkey was eventually captured and was to be destroyed when his master intervened, begging for his disciple's mercy and sacrificing himself to save his disciple. The Goddess of Mercy then decided to send the Monkey 500 years forward in time to live a life of sufferings as a mortal before passing judgement.
The story comes in 2 parts and has to be watched together to be fully understood (the 1st part had quite a cliffhanger going on). While great performances were to be expected from every cast involved, Stephen Chow stood out as the Monkey God. As a mortal he attempted to resist his fate and change his future, as an immortal he tried to forget his mortal longings and focus on his mission. Stephen Chow's portrayal of the struggle and growth of the character was simply excellent.
Using an important part of the classic story, "Journey to the West", the director attempted to retell the story of how the Monkey god (Sun Wu Kong) was tamed and willingly escorted the Longevity Monk on a journey to India (West) to receive the sacred buddhist scriptures. In the original text, Monkey was captured by the great lord Buddha and entraped under the "5 Fingers Mountain" (Hand of Buddha) for 500 years where he was tamed and then saved by the Longevity Monk.
In the movie adaption, he was appointed the protector of the Longevity Monk but strayed from the path of holiness when he fell in love with a demoness and tried to sell out his master (the demons believed by eating his flesh, they would gain immortality). Monkey was eventually captured and was to be destroyed when his master intervened, begging for his disciple's mercy and sacrificing himself to save his disciple. The Goddess of Mercy then decided to send the Monkey 500 years forward in time to live a life of sufferings as a mortal before passing judgement.
The story comes in 2 parts and has to be watched together to be fully understood (the 1st part had quite a cliffhanger going on). While great performances were to be expected from every cast involved, Stephen Chow stood out as the Monkey God. As a mortal he attempted to resist his fate and change his future, as an immortal he tried to forget his mortal longings and focus on his mission. Stephen Chow's portrayal of the struggle and growth of the character was simply excellent.
There is no doubt in my mind that Stephen Chow is a true master of mixing surreal comedy, romance and drama in most of his films that he has written and directed. But hold on, he didn't write or direct this film that was made way back in the mid 90s! But it sure feels like a Chow directed film. In fact, Jeffrey Lau wrote and directed and this is my first introduction to his films. It seems to me that Stephen Chow may have learnt much from Lau when directing his later movies and indeed style of comedy. Its just so similar but even the deserved global success of Chow's Kung Fu Hustler and Shaolin Soccer can't topple Lau's crowning achievement of this glorious comedy fantasy epic.
But you do have to attune yourself to their style of comedy. At times the comedy is rather Naked Gun style but the BIG difference is that with a Naked Gun/Airplane style movie you are never emotionally involved with the character's journey/fates. This is a real epic Chinese fantasy adventure chock full of side splitting comedy, drama, time travel, love triangles, deceit, tragedy and old school wire-work martial arts. Not many movies can boast such a varied concoction and even fewer can pull it off in such a knockout cocktail. Close comparisons for me are Zu Warriors and A Chinese Ghost Story.
The story actually moves at a breakneck speed despite the fact it is drawn out into a 2 part epic saga. Chow is at his very best in his dead pan (Buster Keatonesque) comic timing and furthermore gives an emotional underlining subtext in his performance much akin to the great Charlie Chaplin classics.
The comedy is inventively laugh out loud but always rooted to the storyline and never stooping low for a cheap laugh. The storyline is set firmly in the Chineses mythological realm of gods and demons and apparently extracting a chapter from a famous Chinese story called Journey to the West, putting its own spin on things.
Its not a flawless movie though, and one cannot expect it to be with such an ambitious premise and so much elements thrown in. While the first part of this epic is the more comedic, the second part begins with a somewhat convoluted progression of the storyline and becomes quite confusing with too many women involved in a long multiple women juggling segment. It is my only gripe, however.
I personally would also have loved to see more of the arrogant, fun and cool Monkey King persona but I can understand that more of him may not have served the story pacing well. Pity though, as the Monkey King is a really fun character here than I've seen elsewhere including the fun Monkey Magic television series.
My review covers both parts of this film as a whole. So in a nutshell, this is a vastly entertaining, side-splittingly funny, fast moving, emotionally driven Chinese fantasy epic. And I will now be seeking to watch more Jeffery Lau films as well as Stephen Chow's early movies.
But you do have to attune yourself to their style of comedy. At times the comedy is rather Naked Gun style but the BIG difference is that with a Naked Gun/Airplane style movie you are never emotionally involved with the character's journey/fates. This is a real epic Chinese fantasy adventure chock full of side splitting comedy, drama, time travel, love triangles, deceit, tragedy and old school wire-work martial arts. Not many movies can boast such a varied concoction and even fewer can pull it off in such a knockout cocktail. Close comparisons for me are Zu Warriors and A Chinese Ghost Story.
The story actually moves at a breakneck speed despite the fact it is drawn out into a 2 part epic saga. Chow is at his very best in his dead pan (Buster Keatonesque) comic timing and furthermore gives an emotional underlining subtext in his performance much akin to the great Charlie Chaplin classics.
The comedy is inventively laugh out loud but always rooted to the storyline and never stooping low for a cheap laugh. The storyline is set firmly in the Chineses mythological realm of gods and demons and apparently extracting a chapter from a famous Chinese story called Journey to the West, putting its own spin on things.
Its not a flawless movie though, and one cannot expect it to be with such an ambitious premise and so much elements thrown in. While the first part of this epic is the more comedic, the second part begins with a somewhat convoluted progression of the storyline and becomes quite confusing with too many women involved in a long multiple women juggling segment. It is my only gripe, however.
I personally would also have loved to see more of the arrogant, fun and cool Monkey King persona but I can understand that more of him may not have served the story pacing well. Pity though, as the Monkey King is a really fun character here than I've seen elsewhere including the fun Monkey Magic television series.
My review covers both parts of this film as a whole. So in a nutshell, this is a vastly entertaining, side-splittingly funny, fast moving, emotionally driven Chinese fantasy epic. And I will now be seeking to watch more Jeffery Lau films as well as Stephen Chow's early movies.
This is one crazy movie, with martial arts monkeys, ladies who become giant spiders, and all sorts of devils and other supernatural characters wandering around causing trouble. It's fun, funny, and wacky.
One interesting thing is that it's a movie full of strong women and weak men. You don't see that too often. True, love slows the women up, but outside of that they are tough as can be.
I saw this movie with badly-done subtitles I downloaded off the Internet, so I was sometimes a little unclear as to what was going on, but the movie is such crazy fun that I barely minded.
One interesting thing is that it's a movie full of strong women and weak men. You don't see that too often. True, love slows the women up, but outside of that they are tough as can be.
I saw this movie with badly-done subtitles I downloaded off the Internet, so I was sometimes a little unclear as to what was going on, but the movie is such crazy fun that I barely minded.
Don't expect this movie to be the typical comedy/adventure/action HK movie. In fact it's a very well written tragedy, not only about love, but life in general. The acting is excellent, especially for Stephen Chow and Karen Mok. Since the story is split into two movies, you must watch them both to fully understand the whole story.
Even though the characters are taken from the classic novel "Journey to the West", however, it has nothing to do with the original. I surely will not even consider it as an adaption... a REINVENTION is probably the correct word.
If all you are looking for is a few good laughs, the movie has plenty. But this movie definitely have more to offer, so enjoy!
Even though the characters are taken from the classic novel "Journey to the West", however, it has nothing to do with the original. I surely will not even consider it as an adaption... a REINVENTION is probably the correct word.
If all you are looking for is a few good laughs, the movie has plenty. But this movie definitely have more to offer, so enjoy!
Storyline
Did you know
- ConnectionsFollowed by A Chinese Odyssey: Part 2 - Cinderella (1995)
Details
- Release date
- Countries of origin
- Language
- Also known as
- A Chinese Odyssey Part One: Pandora's Box
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Box office
- Gross worldwide
- $1,499,696
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What is the Spanish language plot outline for A Chinese Odyssey: Part One - Pandora's Box (1995)?
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