New Yorkers Ouisa and Flan Kittredge are upper-class private art dealers, pretentious, but compassionate. Their prized possession is a double-sided Kandinsky: one side represents control; the other, chaos. They relay a story to their friends and acquaintances that becomes legendary over time: their encounter with a young black stranger who came stumbling upon their front door one evening as they were courting Geoffrey Miller, an important investor who could make them wealthy beyond their dreams. The young man, Paul Poitier, had just arrived in the city when he was mugged outside their building, he sported a minor knife wound to the abdomen. He was a friend of the Kittredges' children, who are attending Harvard; more importantly, he's the son of actor and Director Sidney Poitier. Tomorrow, Paul is meeting up with his father, who is in town directing a movie of "Cats". Beyond the attraction of talking Paul into getting them roles in the movie, Ouisa, Flan, and Geoffrey all end up being ...Written by
Stockard Channing, Kelly Bishop, John Cunningham, and Anthony Rapp all reprised their roles from the original Broadway Company (1990). See more »
Paul's position when talking about the huskey statue changes between shots. See more »
Is anything gone?
How can I look, I'm shaking!
I want to know if anything's gone!
We could have been killed! Oh, my God! The Kandinsky!
It's gone, oh my God! Call the police!
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...] See more »
In New York, the art dealers John Flanders ('Flan') Kittredge (Donald Sutherland) and Louisa ('Ouisa') Kittredge (Stockard Channing) are ready to have a business dinner with their South African friend and client Geoffrey Miller (Ian McKellen), when a wounded young black man comes to their fancy apartment telling that he had been just robbed in Central Park and asking for help. He introduces himself as Paul (Will Smith), a friend of their son and daughter in Harvard and son of Sidney Poitier, and the couple invites him to stay with them. During they night, they find that Paul is not who he claims to be. When they investigate the life of Paul, they find the hidden truth.
The first time I saw "Six Degrees of Separation" in 1993 or 1994, I was very impressed with this movie. I liked the concept of the six degrees of separation between human beings, but mostly the acting of Will Smith, Stockard Channing and Donald Sutherland. The very difficult and long lines were brilliantly presented by this trio of excellent actors and actress, almost as if they were on the stage. Further, the name of Stockard Channing in a film for me is a synonymous of high quality. Today I have just seen this movie again, and I maybe I am more critical with the years, but I found the screenplay quite confused. For example, the relationships of parents and sons and daughters are extremely aggressive from the side of the Harvard students, and I have not understood the point in the story. The affection of Louisa ('Ouisa') Kittredge for Paul Poitier- Kittredge could be a projection of what she would like to receive from her apparently ungrateful son and daughter, but her daughter actually talks to her. Anyway, this movie is intriguing and original and deserves to be watched. My vote is seven.
Title (Brazil): "Seis Graus de Separação" ("Six Degrees of Separation")
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