Short Cuts (1993)

The day-to-day lives of several suburban Los Angeles residents.

Director:

Robert Altman

Writers:

Raymond Carver (writings), Robert Altman (screenplay)

Stars:

Andie MacDowell, Julianne Moore, Tim Robbins

Nominated for 1 Oscar. Another 17 wins & 17 nominations.

Cast

Cast overview, first billed only:
Andie MacDowell	...	Ann Finnigan
Bruce Davison	...	Howard Finnigan
Jack Lemmon	...	Paul Finnigan
Zane Cassidy	...	Casey Finnigan
Julianne Moore	...	Marian Wyman
Matthew Modine	...	Dr. Ralph Wyman
Anne Archer	...	Claire Kane
Fred Ward	...	Stuart Kane
Jennifer Jason Leigh	...	Lois Kaiser
Chris Penn	...	Jerry Kaiser
Joseph C. Hopkins	...	Joe Kaiser
Josette Maccario	...	Josette Kaiser
Lili Taylor	...	Honey Bush
Robert Downey Jr.	...	Bill Bush
Madeleine Stowe	...	Sherri Shepard

Storyline

Nine short stories relocating the settings from Carver's Northwest to Los Angeles during a spraying of malathion brought on by a Medfly epidemic - intercut tales of disconnection and emotional emptiness. The stories concern variations upon the theme of Los Angeles angst --a happily married couple, Ann and Howard have to deal with the deep emotions felt when their child, Casey is struck by a car before his birthday and lapses into a coma, while the baker Andy of their child's neglected birthday cake sinks into a rage and torments them in their grief. Three men Stuart, Gordon and Vern leave on a much anticipated fishing trip, only to discover the drowned body of a nude woman floating in the river and decide to finish their fishing trip and ignore the corpse. A Los Angeles cop, Gene uses his badge as an excuse to cheat on his wife, Sherri. A pool cleaner Jerry resents his wife, Lois for her part-time job as a phone sex performer. A waitress, Doreen is devoted to her limousine driver ...

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Plot Keywords:

no panties | strip | labia | skinny dipping | female pubic hair | 

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Taglines:

From two American masters comes a movie like no other

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for graphic sexual language, and for nudity

Details

Country:

USA

Language:

English

Release Date:

5 January 1994 (France)

Also Known As:

Short Cuts - Les Américains

Filming Locations:

California, USA

Box Office

Opening Weekend USA:

$106,553, 3 October 1993, Limited Release

Gross USA:

$6,110,979

Company Credits

Production Co:

Fine Line Features, Spelling Films International, Avenue Pictures

Technical Specs

Runtime:

188 min

Sound Mix:

Dolby (as Dolby Stereo) 70 mm 6-Track (70 mm prints)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

This film was released a year after Chaplin (1992), which also starred Robert Downey, Jr. Both have large ensemble casts.

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Goofs

When Honey and Gordon eye each other suspiciously after mixing up their photo envelopes, they try to find identifying information on each other. Gordon repeats the phone number he sees on Jerry Kaiser's car to remember it better, however the last 4 digits of number he is repeating differ from the actual phone number on Kaiser's car.

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Quotes

Lois Kaiser: Don't you want me to lick your balls for you?

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Connections

References Slimer! And the Real Ghostbusters (1988)

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Soundtracks

To Hell with Love
Composed by Doc Pomus & Dr. John
Performed by Annie Ross and The Low Note Quintet

User Reviews

Six degrees of separation

In front of a group of fishermen, a waitress bends over for a slab of butter. They take in the image like hungry wolves gulping meat, as her skirt rises high, revealing everything. They like what they see, so they ask her, `Can we have more butter, please?' The double meaning is obvious.

In a nightclub, a singer languishes over a sultry little song about `a good, punishing kiss.' The conversation in the foreground -- ex-cons relating cruel, violent stories from prison -- moves to the rhythm of the jazz saxophone, a dissonant snare-drum-prose accompaniment to the song. It's a deliberate ambiguity that binds the viewer in the scene's artistic tension.

In an upscale home with a breathtaking view of the city of angels, a struggling artist is being questioned about her relationship with another artist. She's naked from the waist down, suggesting both sexual aggressiveness, and vulnerability, simultaneously. She's seductively defiant with her husband. She confesses to an affair; but she does so angrily, indignant for being asked. It's sweet and sour, light and dark, truthful but deceptive, all at once. More double entendres.

Robert Altman's Short Cuts weaves all these disconnected scenes together like common strands of rope. It's the interplay of opposites that firmly holds them all together. The title itself, `Short Cuts,' has dual meaning: it's an interconnected mixture of `short cuts,' as in `off the cutting room floor' or `film clips;' and, it's an unmistakable reference to the web of human life, the social short cuts between ourselves and everyone else, as in the famous `six degrees of separation,' which tells us that we are only six personal relationships away from everyone else in the world. Set in LA, this idea makes for a lovely irony: although the main characters are completely absorbed in their individual worlds, they are intimately connected to each other. They just don't know it.

Short Cuts is one of Altman's masterpieces. See it if you can.