In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
Jack Skellington, the pumpkin king of Halloween Town, is bored with doing the same thing every year for Halloween. One day he stumbles into Christmas Town, and is so taken with the idea of Christmas that he tries to get the resident bats, ghouls, and goblins of Halloween town to help him put on Christmas instead of Halloween -- but alas, they can't get it quite right.Written by
Jon Reeves <email@example.com>
Henry Selick and his team of animators began production in July 1991 in San Francisco, California with a crew of over 120 workers, utilizing 20 sound stages for filming. Joe Ranft was hired from Disney as a storyboard supervisor, while Eric Leighton was hired to supervise animation. At the peak of production, 20 individual stages were simultaneously being used for filming. In total, there were 109,440 frames taken for the film. The work of Ray Harryhausen, Ladislas Starevich, Edward Gorey, Étienne Delessert, Gahan Wilson, Charles Addams, Jan Lenica, Francis Bacon, and Wassily Kandinsky influenced the filmmakers. Selick described the production design as akin to a pop-up book. In addition, Selick stated, "When we reach Halloween Town, it's entirely German Expressionism. When Jack enters Christmas Town, it's an outrageous Dr. Seuss-esque setpiece. Finally, when Jack is delivering presents in the 'Real World', everything is plain, simple and perfectly aligned." Vincent Price, Don Ameche, and James Earl Jones were considered to provide the narration for the film's prologue; however, all proved difficult to cast, and the producers instead hired local voice artist, Ed Ivory See more »
When Jack's telling the people about Christmas Town, some of them keep switching places. The "Clown with the tear-away face" is in the first line at the start, then later in the second line, then back in the first line, only on the other side; the guy with snake fingers goes to the first line to the second one, then back again; the werewolf switches place with the devil, etc. See more »
'Twas a long time ago, longer now than it seems in a place perhaps you've seen in your dreams. For the story you're about to be told began with the holiday worlds of auld. Now you've probably wondered where holidays come from. If you haven't I'd say it's time you begun.
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No credits are shown, except the company and the film's name. See more »
This movie has always been a favorite of mine. I never like holiday movies, because i always find them to be full to bursting with slapstick comedy, or way too sugary-sweet and dramatic. both of these things are okay in moderation, but most Christmas movies seem to go to one side of the spectrum or the other. this wonderful fairy tale is perfect for someone like me, who likes a little bit of a darker movie, but expects a Christmas movie to have a good message. the darkness in the movie is not without cause-it shows the joy of Christmas in great contrast to the scariness of Halloween, and it made me love both holidays all the more for that reason. i don't know, maybe that's just because Halloween and Christmas are my favorite holidays, but i really feel that this movie is great for older children and adults. younger children (up to 5 or 6 years) may find this simply frightening, but older children would find it wonderful.
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