A young woman's husband returns wounded after the First World War. Facing a life with a husband now incapable of sexual activity she begins an affair with the groundskeeper.A young woman's husband returns wounded after the First World War. Facing a life with a husband now incapable of sexual activity she begins an affair with the groundskeeper.A young woman's husband returns wounded after the First World War. Facing a life with a husband now incapable of sexual activity she begins an affair with the groundskeeper.
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D. H. Lawerence wrote some of my favorite books of all time, including Lady Chatterley's Lover, so at first, I was afraid to watch these short little missives. I was not disappointed, however. It held true to quite a few aspects of the "Sir John Thomas and Lady Jane" version of the book than the original publication, but Lawerence never seemed to be quite satisfied and was always changing. Joely Richardson was a beautiful Lady Chatterley, and Sean Bean seemed the perfect Mellors. James Wilby was so convincing as Clifford that by the end of this movie, you just wanted that horrid wretch to be left alone, wallowing in his misery, because like everything else in his life, Constance was a possession, not a human being. This movie is a timeless treasure for anyone who loves the idea of being in love!
Lady Chatterley, whose husband was paralyzed in a war, is faced with the prospect of living the rest of life completely unfulfilled sexually, emotionally and maternally. She then meets Mellors, the family gameskeeper, with whom she begins an affair. D.H. Lawrence's novels, from which the movie was adapted, addressed some very touchy subjects of the 1920's English culture: sexuality and the dichotomy of the social classes. The movie, filmed for TV in four segments, does an excellent job of portraying the lives of Lawrence's characters and the lifestyles and fashion of that era. While the movie seems to get somewhat slow in places, the story would somehow be less complete without them. Part of the controversy surrounding Lawrence's was the great detail with which he described the sexual encounters between Lady Chatterley and Mellors. The books, though banned for many years in England, were nevertheless quite popular and became an instrument of social change. Many movies that attempt to depict sexual intimacy somehow fail to capture the atmosphere or feeling of the moment quite as well as director Ken Russell did in this movie. The scenes were quite convincing and should be required viewing for anyone who wishes to avoid movies where the sex scenes were added solely for the sake of the box office. The actors Joely Richardson and Sean Bean did a superb job at presenting to the audience the sexual intimacy and how they were affected by the social ramifications of their relationship. Despite the rather long playing time of the movie, they manage to maintain the quality of their roles as people in a complex social predicament. While the movie contains some nudity, it is important to note that the only scene that depicts full-frontal nudity is one that is void of any sexuality; the couple, overwhelmed at having found true joy in their lives, run and frolic naked through the woods. A good lesson for future moviemakers and censors: nudity in movies need not - nor should it always be - associated with sex. The bottom line: Lady Chatterley is a good quality love story that includes all the social politics, the old-world class distictinctions, and the many other elements that make up the relationship of the couple involved. If you liked the books, you will most likely enjoy this movie as well.
A really good adaption of the book and the original 1981 film. It is very erotic... quite a bit of nudity and sex. Not recommended for under 16.
10aly-5
As my mother used to say, "The man can read the phone book and I would be satisfied." A truly masterful performance for all involved. I did not even know this existed until recently and I sat to watch it in one sitting. Joely Richardson and Bean exuded the passion which was present, even more than in the books. And I loved Shirley Anne Field's Mrs. Bolton. It appeared as though she truly wanted Connie's happiness, or perhaps she just wished to have the master under her thumb, but either way, it was a stellar performance.
And Sean Bean...Oh, my. I have followed his career since seeing the Sharpe's episodes and in everything he is in, he takes the part and makes it his own. A simply wonderful effort and a beautifully touching love story.
And Sean Bean...Oh, my. I have followed his career since seeing the Sharpe's episodes and in everything he is in, he takes the part and makes it his own. A simply wonderful effort and a beautifully touching love story.
The French version is yet to be seen by me but it does look as though it will be even better than this BBC adaptation. This adaptation of the controversial Lady Chatterley's Lover is very good if not entirely flawless, and it is far superior to the Nicholas Clay film from 1981, much more involving and this actually has a lead actress who can act and it doesn't take the sexual nature of the book to extremes. The music here is inconsistent, sometimes it is very beautiful and lyrical but at other times and actually too often it is too loud and with too much repetition, it could have been toned down more especially in the love scenes. The ending doesn't work either, far too convenient and open-and-shut, also played like a farce which juxtaposes too much with the gentle restrained feel that much of the rest of the adaptation had. Wasn't entirely sure about Ken Russell writing himself in as the father(it's certainly better than when he did it for Salome's Last Dance though), the character does come across as too much of a caricature and Russell's performance to some extent is the kind that seems out of kilter with everything else. The best asset though of Lady Chatterley is the visuals, which are truly spellbinding. The period detail is very colourful and evocative, the settings especially the gorgeous(inside and out, particularly inside) house make you wish you were there and the photography is fluid and not TV-bound at all. The dialogue is emotionally impactful and intelligently written, that it is true to D.H. Lawrence's writing is a plus too(same thing with Women in Love around 25 years previously). The story is gentle yet sexy and compelling, the love scenes are done surprisingly tastefully considering Russell's tendency to use of excess, of everything Russell's done actually Lady Chatterley is one of his most restrained and cohesive. The characters are not easy to care for- not the adaptation's fault, in a way it's the same in the book too- and are not the most well-developed but chemistry between them is convincing and they don't frustrate you. Russell directs with respect and with room to breathe and not to make things too overblown. The acting is very good, Joely Richardson is sensual and sympathetic in the title role and Sean Bean is a handsome and forthright Mellors. James Wilby is loathsome personified which is exactly what Sir Clifford should be like. You may argue that it was caricature-like at times, it wasn't that apparent to me and Sir Clifford is one of those characters where it is difficult to not overdo things because of the type of character he is, of all the Lady Chatterley's character the most dangerous to pull off is Sir Clifford for this reason. Shirley Anne Field is very telling as Mrs Bolton, a lot of the time in a refreshingly subtle way like in the body language alone. Overall, a very good adaptation of a good if understandably controversial book. 7.5/10 Bethany Cox
Did you know
- TriviaSean Bean (Oliver Mellors) was called back at the beginning of filming to shoot extra shots on his previous film, Patriot Games (1992) - and during a fight scene, Harrison Ford hit him with a boat hook, which left him with stitches, and later a scar, below his eye.
- Quotes
Lady Chatterley: It's never the obvious that happens, is it?
- ConnectionsFeatured in Points of View: Episode #26.21 (1993)
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