In a Florence pensione circa 1900 with English guests, George and his dad offer their rooms with views to Lucy and her chaperone. Lucy and George get acquainted but Lucy returns to England. George and Lucy meet again but now she's engaged.
Helena Bonham Carter,
Encounter of three social classes of England at the beginning of the 20th century : the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money ; the enlightened bourgeois (the Schlegels), humanistic and philanthropic ; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts.Written by
Helena Bonham Carter's third appearance in an E.M. Forster adaptation and a Merchant-Ivory film production after appearing in A Room with a View (1985) and Maurice (1987). See more »
During the kiss with Paul, and during the music hall scenes, Helen is wearing a wristwatch. While wristwatches did exist at the time they were rare, and women normally wore a brooch type of timepiece. The wristwatch would not become common until the first world war, when they were given to soldiers to allow them to see the time while both hands were engaged. See more »
Dearest Meg, I'm having a glorious time. I like them all. They are the very happiest, jolliest family that you can imagine. The fun of it is that they think me a noodle, and say so - at least, Mr. Wilcox does. Oh Meg, should we ever learn to talk less.
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Howard's End is not an easy movie to sit through if you do not typically watch period films. The language and euphemisms are very old fashioned (1910). But if you really sit back and watch the story unfold you will become engrossed. The crafting of the story by Merchant Ivory is impeccable. They tell the story so visually that you may not notice how physically alike Margaret Schlegel is to Ruth Wilcox in carriage and deportment, but the light-bulb goes off when the housekeeper of Howard's End mistakes Margaret for Ruth. The story itself is so quiet and brilliant that you don't realize something so very profound has happened until the credits roll. Every performance is amazing, but Emma Thompson (she won the Best Actress Oscar) and Vanessa Redgrave stand out. Their scenes together are so full of nuances that it's hard to take it all in during a first viewing.
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