7.4/10
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Howards End (1992)

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2:28 | Trailer
A businessman thwarts his wife's bequest of an estate to another woman.

Director:

James Ivory

Writers:

E.M. Forster (novel), Ruth Prawer Jhabvala (screenplay)
Reviews
Popularity
4,686 ( 109)
Won 3 Oscars. Another 29 wins & 48 nominations. See more awards »

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Cast

Cast overview, first billed only:
Vanessa Redgrave ... Ruth Wilcox
Helena Bonham Carter ... Helen Schlegel
Joseph Bennett Joseph Bennett ... Paul Wilcox
Emma Thompson ... Margaret Schlegel
Prunella Scales ... Aunt Juley
Adrian Ross Magenty Adrian Ross Magenty ... Tibby Schlegel
Jo Kendall ... Annie
Anthony Hopkins ... Henry Wilcox
James Wilby ... Charles Wilcox
Jemma Redgrave ... Evie Wilcox
Ian Latimer Ian Latimer ... Station Master
Samuel West ... Leonard Bast
Mary Nash Mary Nash ... Pianist
Siegbert Prawer Siegbert Prawer ... Man Asking a Question
Susie Lindeman ... Dolly Wilcox
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Storyline

Encounter of three social classes of England at the beginning of the twentieth century: the Victorian capitalists (the Wilcoxes) considering themselves as aristocrats, whose only god is money; the enlightened bourgeois (the Schlegels), humanistic and philanthropic; and the workers (the Basts), fighting to survive. The Schlegel sisters' humanism will be torn apart as they try both to softly knock down the Wilcox's prejudices and to help the Basts. Written by Yepok

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild language, violence and sensuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Japan | USA

Language:

English | German

Release Date:

26 February 1993 (USA) See more »

Also Known As:

Howards End See more »

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Box Office

Opening Weekend USA:

$52,568, 15 March 1992

Gross USA:

$26,126,837

Cumulative Worldwide Gross:

$26,316,548
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Ismail Merchant had to pay two hundred fifty thousand dollars (for the rights to the novel) to the trustees of Forster's estate, King's College, Cambridge, England. Merchant considered this an exorbitant sum, but he had to match a Hollywood offer that the college was also considering at the time. See more »

Goofs

During the kiss with Paul, and during the music hall scenes, Helen is wearing a wristwatch. While wristwatches did exist at the time they were rare, and women normally wore a brooch type of timepiece. The wristwatch would not become common until the first world war, when they were given to soldiers to allow them to see the time while both hands were engaged. See more »

Quotes

[first lines]
Margaret Schlegel: [reading letter] Dearest Meg, I'm having a glorious time. I like them all. They are the very happiest, jolliest family that you can imagine. The fun of it is that they think me a noodle, and say so - at least, Mr. Wilcox does. Oh Meg, should we ever learn to talk less.
[laughing]
See more »

Connections

Version of BBC Play of the Month: Howards End (1970) See more »

Soundtracks

Bridal Lullaby
Music by Percy Grainger
Courtesy of Bardic Edition
Performed by Martin Jones
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User Reviews

 
The Thompson Factor
17 October 2005 | by mocpacificSee all my reviews

If it's raining, if it's late, if I'm tired of working, if I'm restless or if I'm in a quandary of sorts, "Howard's End". I put the film on and Emma Thompson - presumably with the help of her accomplices, Ivory, Jhavhala, Hopkins etc - takes me away from whatever mood I'm trying to escape and leads me through her own, brilliantly drawn, gently torturous path. I don't recall when was the last time an actress has had this kind of power over my own psyche. The film is constructed with an Ivory attention to detail worthy of a vintage Visconti. The screenplay has no lapses of any kind and never falls into the usual traps. Loyal to its source material and yet, cinematic in the most revolutionary traditional sense of the word. The Britishness of Anthony Hopkins character is turned upside down giving us a glimpse into a character that's a mass of contradictions. But it is Emma Thompson's film from beginning to end. What a glorious achievement.


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