Dans cette comédie désopilante, un chasseur maladroit (Bronson Pinchot) mêle accidentellement les itinéraires de trois invités d'un l'hôtel, entraînant une série de quiproquos.Dans cette comédie désopilante, un chasseur maladroit (Bronson Pinchot) mêle accidentellement les itinéraires de trois invités d'un l'hôtel, entraînant une série de quiproquos.Dans cette comédie désopilante, un chasseur maladroit (Bronson Pinchot) mêle accidentellement les itinéraires de trois invités d'un l'hôtel, entraînant une série de quiproquos.
- Mr. Marshall
- (voice)
- Hotel Guest
- (uncredited)
- Director
- Mark Herman(written & directed by)
- Writer
- Tous les acteurs et membres de l'équipe
- Production, box office et plus encore chez IMDbPro
Histoire
Le saviez-vous
- AnecdotesThe name of the luxury Venetian hotel is the "Hotel Gabrielli". The hotel does exist, overlooking the Venice Lagoon, and the exterior shots are of the hotel in its actual location. The interior filmed scenes don't reflect the interior of the actual hotel however.
- Citations
Maurice Horton: So what's the form then? Do I pay you now?
Caroline Wright: You don't carry that sort of cash around, do you?
Maurice Horton: What sort of cash are we talking about?
Caroline Wright: Well, how much do you think it's worth?
Maurice Horton: It's all new to me.
[picks up his wallet]
Maurice Horton: Uhm, sixty? Eighty? A hundred?
Caroline Wright: Okay, a hundred. A hundred thousand is about right.
Maurice Horton: A hundred thousand? No, no. I was talking about Pounds.
Caroline Wright: Well, so am I. A hundred thousand Pounds.
Maurice Horton: What?
Caroline Wright: You deaf as well as debauched? Watch my mouth. One hundred thousand Pounds.
Maurice Horton: [incredulous] A hundred thousand Pounds for a bit of rumpy bumpy?
- Autres versionsTelevision version substitutes alternate takes of several scenes toning down the sexuality but adding dialogue not in the theatrical/home video version.
- ConnexionsReferenced in Mystery Science Theater 3000: Laserblast (1996)
- Bandes originalesFeelings
(Pour Toi)
Music by Louis Gasté
French lyrics by Albert Simonin and Marie-Hélène Bourquin
English lyrics by Morris Albert
Although this film produced the odd laugh from me, I found it very difficult to get past how very contrived and forced this farce was for the most part. It is a very dated British comedy that is rather predictable and very silly, those with low expectations might not be too disappointed because it occasionally amused me but there wasn't a great of wit here and everything was painted in very broad strokes. The characters are obviously thin and the comedy is supposed to come from all of them talking to one another at cross-purposes. At first this is a little funny but after a while it gets a bit tiresome and there isn't a great deal to distract as it moves forward. However I must contest those that call this the worst film they have ever seen; it isn't that bad basic of course but it is weak, not terrible.
The cast mainly have little to do apart from act confused. Brown and Wilton are probably the best of the bunch and even they are not that good. They manage to produce interesting characters and are better for it. Moore has nothing to do of value and this is a poor thing to remember him by. Griffiths is amusing and works reasonable well with Kensit, but they don't have good material to work with. They all try hard to make the most of what they are working with but generally there isn't much there other than mugging.
Overall a faintly amusing farce but one that is far too contrived, forced and obvious to really be that funny. I can understand why many viewers hate it but it really isn't that bad but it is pretty damn weak throughout but maybe if you are in an undemanding mood you'll get tickled by it a bit.
- bob the moo
- 28 mai 2006
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Blame It on the Bellboy
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 3 104 545 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 326 472 $ US
- 8 mars 1992
- Brut – à l'échelle mondiale
- 3 104 545 $ US
- Durée1 heure 18 minutes
- Couleur
- Rapport de forme
- 1.85 : 1