After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone who must continue her battle against the aliens. Along with a crew of space pirates, Ripley must also prevent the deadly aliens from reaching Earth.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Jonathan Ke Quan
Ellen Ripley (Sigourney Weaver) is the only survivor when she crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Once again, Ripley must face skepticism and the alien as it hunts down the prisoners and guards. Without weapons or modern technology of any kind, Ripley leads the men into battle against the terrifying creature.
Starting with this film, there was been two Alien movies every decade up. This includes Alien3 (1992) and Alien: Resurrection (1997), moving on to AVP (2004) and AVP: Requiem (2008), and ending with Prometheus (2012) and Alien: Covenant (2017). That also means within every decade, the year of release ended with either 2 or 7 (with the exception of AVP). See more »
(at around 27 mins) In the cafeteria, Ripley's glass of orange juice goes from half full to full. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
Ridely Scott's 'Alien' was an excellently constructed thriller. In the opening, a strong ensemble cast faced a vague sense of menace; over the course of the film, this gradually transformed into a fight to the death between just one of the characters (Ripley, played by Sigourney Weaver) and the eponymous beast. The sequel, directed by James Cameron, was also good, but at heart a more conventional Hollywood blockbuster. For the third film, David Fincher was in the director's chair, and I'm a big fan of Fincher's later films, 'The Game' and 'Fight Club'. But 'Alien3' is not his greatest work.
Fincher keeps the murky, claustrophobic feel of the earlier films (a mood also apparent in his next film, 'Se7en'). In the original movie, the camera never dwelt on the alien, we only saw it in brief, terrifying glimpses. This was justified by the alien's exceptional speed of movement, but perhaps necessitated by limitations in what the special effects department could do, circa 1979. By 1992, technology had moved on, but Fincher stuck to the formula, and the fact that we never truly comprehend the exact nature of the monster adds to its capacity to scare us. But Fincher also added some broad comedy, a lot of gratuitous swearing, and, with his setting of a prison planet occupied almost entirely by British-accented convicts, a certain resemblance to a vulgarised 'Porridge'. Riply, meanwhile, has transformed into someone almost unimaginably macho; the prisoners are supposedly men with two Y chromosomes, but a desexualised Ripley appears to possess more testosterone than all of them together.
The real problem with the film, however, is principally that as the third movie in a franchise, there's not really anywhere new for it to go. The plot is presented to us with little in the way of underlying explanation, but it's basic contours are already defined. The fourth film in the series was called 'Alien Resurrection'; this one might have been called 'Alien Rehash'. It ends with an overlong action sequence devoid of variety (whereas in the first film, every kill was sudden and fresh). And the impact of the ending is muted when you know that in spite of the apparently terminal conclusion, another movie followed in a couple of years. The rest of Fincher's work is all original. But here he is just another hack director, forcing another life out of a great, but exhausted concept. Two films should really have been enough.
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