After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
Ellen Ripley (Sigourney Weaver) is the only survivor when she crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Once again, Ripley must face skepticism and the alien as it hunts down the prisoners and guards. Without weapons or modern technology of any kind, Ripley leads the men into battle against the terrifying creature.
The cinematic directorial debut of David Fincher, which he has all but disowned due to near-constant studio interference. See more »
(at around 4 mins) As the EEV impacts into the sea there is an oil tanker in the center of the horizon. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
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The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
The extended cut from the "Alien Quadrilogy" DVD Set does not include all of the footage from the work print. There are at least 5-10 minutes from that version that weren't re-edited for the new DVD box set:
In the scene where prisoner Murphy becomes the alien's first victim in the vent shaft, he is singing a different tune than that heard in the theatrical version and there is no mention of the dog. He simply peers into the tunnel.
A few more scenes of 85 and Ripley arguing about what the company will do with the alien.
Shots of Dillon walking through corridors and finding bodies (Troy) as well as Ripley finding bodies (Eric) and verbally identifying them.
Jude slips, falls and cuts himself with the scissors he was holding.
85 silently meditating with his head bowed down as he awaits the company people.
When the company reps arrive, it is extended as the Asian rep asks 85 if he's seen the beast, and 85 says yes and that Ripley has one inside her. Bishop II replies, "We know that." When 85 sees the cage he tells them "You're gonna need a bigger cage."
When Ripley is trying to lure the alien back into the piston, she keeps telling it to kill her.
Right before activating the sprinklers and killing the alien, Ripley says "For the last time..." (this shot is seen in several of the film's trailers).
When Ripley tells Morse to help her and he asks "What do you want me to do?", she replies "You'll know..."
After Ripley falls, Morse crawls over to look out into the molten pit.
The last scenes are arranged a little different, with the video screen facility closed shot coming before the shot of the empty cryotubes and Ripley's transmission being heard.
It's fun to compare Ridley Scott, James Cameron and David Fincher, the directors of Alien, Aliens and Alien^3, respectively. You couldn't find three more different directors.
In Alien ^3, Fincher wants you to think he's cool. In Aliens, Cameron wants you to see the movie three times at the theater, tell all your friends how terrific it is, then buy the video the day it comes out. And in Alien, Scott wants you to eat sh*t and die. Cameron and Scott succeed, Fincher fails.
Or maybe: Scott is NYC, Cameron is LA, and Fincher is Seattle.
How about: Scott is a Lamborghini, Cameron is a Lincoln Navigator, and Fincher is a Prius with a Hummer hidden in the garage at home.
Alien^3 just doesn't make it. Its grim penal colony is a boring cliché. The script is lame. Because of it, Sigourney Weaver gives her weakest performance in the Alien series.
Alien^3 tries to be pretentious and fails even at that. Skip over this one and move on to Alien Resurrection, which might not be up to the standards of the first two but still towers above Alien^3.
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