ÉVALUATION IMDb
6,6/10
18 k
MA NOTE
Sally Field et d'autres vedettes jouent dans ce film à l'eau-de-rose, à la fois comique et scandaleux.Sally Field et d'autres vedettes jouent dans ce film à l'eau-de-rose, à la fois comique et scandaleux.Sally Field et d'autres vedettes jouent dans ce film à l'eau-de-rose, à la fois comique et scandaleux.
- Prix
- 5 nominations
Rob Camilletti
- Actor
- (as Robert Camiletti)
Histoire
Le saviez-vous
- AnecdotesExtensive re-shoots on this film forced Kevin Kline to withdraw from Capitaine Crochet (1991). He was replaced by Robin Williams.
- GaffesWhen Celeste goes to Jeffrey's apartment to "rescue" Lori, she tricks the doorman into telling her that Jeffrey's apartment is 2D. When she leaves, his door clearly says 2A.
- Citations
Rose Schwartz: Actors don't like to play coma. They feel it limits their range.
- Générique farfeluEarly in the opening credits we see the words "a hamon cheimafflo film". The letters of the two middle words then rearrange themselves, one "o" slipping off the side of the screen, to form the name of director Michael Hoffman.
Commentaire en vedette
One of the better satires about daytime TV shows.
Way back in 1955, the British made a comedy called Simon and Laura, with Peter Finch and the brilliant Kay Kendall. To this day, it stands as one of the finest examples of British comedy and, more particularly, about how television sitcoms become so popular. It was, and is, an excellent example also of self-referential cinema.
So also Soapdish, a film I'd never heard about until a few nights ago when I caught it on late TV. I was a bit dubious at first simply because comedy is so difficult to do well, as you know.
However, I was pleasantly surprised and delighted to watch a very clever satire about daytime American TV. In fact, it's been a while since I laughed so heartily. So, if you like satire, I'd recommend you see it.
The main actors Sally Field, Kevin Kline, Robert Downey and Cathy Moriarty quite simply do an excellent job, revealing just how bitchy and shallow the business of acting is. As I watched it, I kept thinking to myself: just how much of this bitchiness carries over into real life? That is, if actors ever do have a real life? As you probably know, Peter Sellers, for example, was notorious for hiding his true persona behind a multitude of characters, so that nobody really knew the real person. So, as I watched Sally Field playing Celeste Talbot playing Maggie, I thought again about that earlier British film with Kay Kendall playing Laura playing a character in a TV sitcom opposite Peter Finch...
Is it any wonder that some actors have nervous breakdowns? And that feeling was crystallized when Celeste finally confronts her daughter (Lori, played by Elizabeth Shue) and, in an emotional moment, repeats the fictional lines she'd used, on a prior episode of her daytime soap, when confronting her fictional daughter in that show! Are you confused? Well, it's not all like that, but the dialog is stunning for originality, comedy, bitchiness, anger, depravity, duplicity, and even...love.
The story? Well, there are many stories in this film, all interwoven, and which all come together at the end (of course but not like a Robert Altman film, okay!), and not all of them are resolved finally. Life's not like that anyway, right? The pace is almost frenetic, and you really do have to watch and listen carefully to catch all the sight gags and subtle jokes. Spend the 97 minutes from your life and watch it; you won't regret the time usage.
The rest of the cast all perform well, although I've never taken much to Whoopi Goldberg. Perhaps the funniest exchanges are between Robert Downey and Cathy Moriarty and, for my money, the latter steals so many scenes from others, she gets my vote as the outstanding player. I kid you not, she gives the term bitch an entirely new face...
So also Soapdish, a film I'd never heard about until a few nights ago when I caught it on late TV. I was a bit dubious at first simply because comedy is so difficult to do well, as you know.
However, I was pleasantly surprised and delighted to watch a very clever satire about daytime American TV. In fact, it's been a while since I laughed so heartily. So, if you like satire, I'd recommend you see it.
The main actors Sally Field, Kevin Kline, Robert Downey and Cathy Moriarty quite simply do an excellent job, revealing just how bitchy and shallow the business of acting is. As I watched it, I kept thinking to myself: just how much of this bitchiness carries over into real life? That is, if actors ever do have a real life? As you probably know, Peter Sellers, for example, was notorious for hiding his true persona behind a multitude of characters, so that nobody really knew the real person. So, as I watched Sally Field playing Celeste Talbot playing Maggie, I thought again about that earlier British film with Kay Kendall playing Laura playing a character in a TV sitcom opposite Peter Finch...
Is it any wonder that some actors have nervous breakdowns? And that feeling was crystallized when Celeste finally confronts her daughter (Lori, played by Elizabeth Shue) and, in an emotional moment, repeats the fictional lines she'd used, on a prior episode of her daytime soap, when confronting her fictional daughter in that show! Are you confused? Well, it's not all like that, but the dialog is stunning for originality, comedy, bitchiness, anger, depravity, duplicity, and even...love.
The story? Well, there are many stories in this film, all interwoven, and which all come together at the end (of course but not like a Robert Altman film, okay!), and not all of them are resolved finally. Life's not like that anyway, right? The pace is almost frenetic, and you really do have to watch and listen carefully to catch all the sight gags and subtle jokes. Spend the 97 minutes from your life and watch it; you won't regret the time usage.
The rest of the cast all perform well, although I've never taken much to Whoopi Goldberg. Perhaps the funniest exchanges are between Robert Downey and Cathy Moriarty and, for my money, the latter steals so many scenes from others, she gets my vote as the outstanding player. I kid you not, she gives the term bitch an entirely new face...
utile•90
- RJBurke1942
- 28 déc. 2006
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Détails
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 36 489 888 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 736 380 $ US
- 2 juin 1991
- Brut – à l'échelle mondiale
- 36 489 888 $ US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was La vie est un téléroman (1991) officially released in India in English?
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