FBI trainee Clarice Starling works hard to advance her career, while trying to hide/put behind her West Virginia roots, of which if some knew, would automatically classify her as being backward or white trash. After graduation, she aspires to work in the agency's Behavioral Science Unit under the leadership of Jack Crawford. While she is still a trainee, Crawford asks her to question Dr. Hannibal Lecter, a psychiatrist imprisoned, thus far, for eight years in maximum security isolation for being a serial killer who cannibalized his victims. Clarice is able to figure out the assignment is to pick Lecter's brains to help them solve another serial murder case, that of someone coined by the media as Buffalo Bill, who has so far killed five victims, all located in the eastern US, all young women who are slightly overweight (especially around the hips), all who were drowned in natural bodies of water, and all who were stripped of large swaths of skin. She also figures that Crawford chose ...Written by
John Douglas, on whom the Jack Crawford character was based, achieved some fame of his own a few years after this film. He was hired by the parents of JonBenét Ramsey to investigate her death and apparent murder. Up until that point, the parents had been the chief suspects in the case. While Douglas did not fault the local police for investigating the family first, as in the film, investigators usually assume that victims know their killers, he became the first public official to proclaim their innocence. See more »
When Clarice is interviewing Lecter, a padlock on his cell door goes from locked to unlocked between scenes. See more »
The Silence of the Lambs, having accomplished the rare feat of winning all five of the major Academy Award categories, is a remarkable achievement in filmmaking. Gruesome, pulpish material was transformed by dedicated participants on all levels of production, and a film that would have failed in the hands of many others wound up becoming a modern masterpiece. Taut direction and a superb screenplay might be the best arguments for the film's power, but the flashiest are certainly delivered in the bravura performances of Hopkins and Foster. Their interplay -- and remember, they only share a handful of scenes together -- is nothing short of riveting.
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