The magician Prospero attempts to stop his daughter's affair with an enemy.
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Title: Prospero's Books (1991)
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Cast
| Cast overview, first billed only: | |||
| John Gielgud | ... | Prospero | |
 |
Michael Clark | ... | Caliban |
| Michel Blanc | ... | Alonso | |
| Erland Josephson | ... | Gonzalo | |
| Isabelle Pasco | ... | Miranda | |
| Tom Bell | ... | Antonio | |
| Kenneth Cranham | ... | Sebastian | |
| Mark Rylance | ... | Ferdinand | |
| Gerard Thoolen | ... | Adrian | |
| Pierre Bokma | ... | Francisco | |
|
|
Jim van der Woude | ... | Trinculo |
| Michiel Romeyn | ... | Stephano | |
|
|
Orpheo | ... | Ariel |
|
|
Paul Russell | ... | Ariel |
|
|
James Thierrée | ... | Ariel (as James Thiérrée) |
Edit
Plot Summary
|
Add Synopsis
See All (21) »
Storyline
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'. Written by Keith Loh <loh@sfu.ca>
Plot Keywords:
nudity | shakespeare adaptation | book | urination | shakespeare's the tempest |Taglines:
A magician's spell, the innocence of young love and a dream of revenge unite to create a tempest.Parents Guide:
View content advisory »
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See more on IMDbPro »
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Details
Language:
EnglishRelease Date:
30 August 1991 (UK) See more »Also Known As:
A Última Tempestade See more »Edit
Box Office
Budget:
GBP1,500,000 (estimated)Opening Weekend USA:
$34,728, 17 November 1991Gross USA:
$1,750,301Cumulative Worldwide Gross:
$1,750,301Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
DolbyColor:
ColorAspect Ratio:
1.78 : 1
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Did You Know?
Trivia
One of the first movies to use HDTV technology. This movie specifically utilized an early analogue high-definition process called "Hi-Vision", developed by the Japanese group NHK. See more »Alternate Versions
The German DVD version has two title cards before the opening credits explaining prior events and the premise of the film. See more »Frequently Asked Questions
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This film is one of the very few examples of a cinema as a visual art and that is why it irritates so many people. It's very sad but one doesn't need a screen to follow 99,9 % of the movies made for the last one hundred years of the history of cinematography: you can simply broadcast them on radio. But this one belongs to 0,1 %(as well as Fellini's Otto e Mezzo, or Paradzhanov's Sayat Nova, for example) that you really have to WATCH. So try to perceive "Prospero's Books" not just as an illustrative material to some pieces of literature, but as an art exhibition in motion. Maybe that will make it easier for you, dear Hollywood junk viewer.