
Mohamed Bertrand-Duval (1991)
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- 1h 30min
- Comedy, Drama
- 25 Oct 1991 (France)
- Movie
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Complete, Cast awaiting verification
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Alex Métayer | ... |
Maurice
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Moussa Maaskri | ... |
Gino
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Didier Pain | ... |
Le vieux G.O.
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Netti | ... |
Fatima
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Chafia Boudraa | ... |
Zohra, la mère de Fatima
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Anne Langlois | ... |
Catherine
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Lakdhar Bouzidi | ... |
Abdelkader, le père de Fatima
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Marie-Christine Adam | ... |
Hélène
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Marie-Catherine Conti | ... |
Solange, la femme de Maurice
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François Siener | ... |
L'avocat
(as François Sienner)
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Jacqueline Eteata | ... |
Tenare, la femme de G.O.
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Baptistine Santiago | ... |
Carmen, la mère de Gino
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Joseph Cortez | ... |
Eugène
(as José Cortez)
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Allan Wenger | ... |
Le P.D.G. américain
(as Allen Wenger)
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Jérôme Chappatte | ... |
Le médecin
(as Jérôme Chapatte)
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Florence Brunet | ... |
Assistante médecin
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Lydie Agaesse | ... |
Cliente
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Gin Candotti Besson | ... |
Secrétaire Maurice
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Edmonde Franchi | ... |
La dame au sanshu
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Jean-Claude Pancrazi | ... |
Premier agent Paris
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Michel Hulot | ... |
Deuxième agent Paris
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Marcelle Basso | ... |
L'Orage
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Claude Lesko | ... |
Le vigile intello
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Anne-Marie Ponsot | ... |
Patronne restaurant
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Véronique Delestaing | ... |
Vendeuse bijouterie
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Isabelle Mangini | ... |
Directrice bijouterie
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Richard Guedj | ... |
M. Moreau
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Marie Cecora | ... |
Mme Moreau
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Henri Talau | ... |
M. Piani
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Sylviane Parra | ... |
Mme Piani
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Jean-Pierre Rambal | ... |
Passant sous la pluie
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Anthony Guerini | ... |
Gosse Perez
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Marcel Azzola | ... |
Musicien
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Serge Krief | ... |
Musicien
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Richard Chiche | ... |
Musicien
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Louis Trussardi | ... |
Musicien
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Isabelle Guiard | ... |
(voice)
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Eric Métayer | ... |
(voice)
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Benoît Vallès | ... |
(voice)
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Directed by
Alex Métayer |
Written by
Alex Métayer | ... | (scénario et dialogues) |
Jean Pourtalé | ... | (collaboration) & |
Patrick Braoudé | ... | (collaboration) |
Music by
Babik Reinhardt |
Cinematography by
Alain Choquart |
Editing by
Roland Baubeau |
Editorial Department
Marielle Fernandez | ... | assistant editor |
Patrick Houdot | ... | assistant editor |
Casting By
Maya Seuleyvan |
Production Design by
Michel Lagrange |
Costume Design by
Monique Perrot |
Makeup Department
Bernard Ginoux | ... | hair stylist |
Agnès Laguerre | ... | key makeup artist |
Bruno Ruas | ... | hair stylist |
Production Management
Joseph Schillinger | ... | unit manager |
Second Unit Director or Assistant Director
Bania Medjbar | ... | second second assistant director |
Isabelle Mesrine | ... | second assistant director |
Jacques Reboud | ... | first assistant director |
Art Department
Didier Lemoine | ... | property master |
Sound Department
Alexandre Abrard | ... | sound assistant |
Jean-Michel Chauvet | ... | sound |
Jean-Pierre Lelong | ... | foley artist |
Jean-Paul Loublier | ... | sound |
Mario Melchiorri | ... | foley artist |
Camera and Electrical Department
Serge Bègue | ... | still photographer |
Guillaume Debroise | ... | assistant camera |
Benoît Féréol | ... | key grip |
Pascal Graziani | ... | assistant camera |
Philippe Payet | ... | electrician |
Jean Pourtalé | ... | still photographer |
Philippe Vene | ... | assistant camera |
Myriam Vinocour | ... | assistant camera |
Location Management
Laurent Versini | ... | assistant location manager |
Script and Continuity Department
Brigitte Schmouker | ... | script supervisor |
Production Companies
Distributors
- La Société des Films Sirius (1991) (France) (theatrical)
- Canal+ (1992) (France) (tv)
Special Effects
Other Companies
Storyline
Plot Summary |
In this comedy, the requirements of living a respectable life grow too great for Maurice, as do the burdens of his well-paid executive position. After getting fired when a business proposal he has worked on is translated very badly to his English boss, he confides that he has lost his job to his wife. When she freaks out about that, he gets into his camper and heads south. There, a group of wandering Arab thieves rob him of everything he has of value but then admit him into their circle, calling him "Mohamed." One of their best scams comes when the newly renamed executive proposes that they rob his Paris home to raise money to start a restaurant. Though they are thieves, these new friends show every evidence of having more loyalty, good cheer, and basic morality than the associates the hero left behind. |
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