Directed by
| Thomas Constantinides | ||
Writing Credits (WGA)
| Thomas Constantinides | ... | (written by) |
Cast (in credits order)
| Robert Forster | ... | Vinnie | |
| Wings Hauser | ... | Jack Maxwell | |
| Robin Mattson | ... | Margo Turner | |
| Alexandra Paul | ... | Amy Budd | |
| Gary Daniels | ... | The Guardian | |
 |
Bette Wilson | ... | Yogi |
|
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Omar Kaczmarczyk | ... | House owner (as Richard Quick) |
|
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Sasha Hsuczyk | ... | Beautiful Child (as Sasha Hsu-Cyzk) |
Produced by
| Thomas Constantinides | ... | producer |
| John Foster | ... | associate producer (as John W. Foster) |
| David Hakim | ... | co-producer (uncredited) |
| Omar Kaczmarczyk | ... | executive producer / producer |
| Robert Odom Jr. | ... | associate producer |
Music by
| Alfred Owens | ... | (as Alfred S. Owens) |
Cinematography by
| Irv Goodnoff | ... | director of photography |
Editing by
| Vakeil Pershing | ||
Casting By
| Aaron Griffith | ||
Production Design by
| Jerry Northcutt | ||
| Gerard Rigaud | ||
Costume Design by
| Jasmine Kostraba | ||
Makeup Department
| Tammy Ashmore | ... | hair stylist / makeup artist |
| Jasmine Kostraba | ... | assistant hair stylist / assistant makeup artist |
Production Management
| Vern Pershing | ... | executive in charge of production and post-production (as Verne Pershing) |
| Bill Tannebring | ... | unit production manager |
Second Unit Director or Assistant Director
| Tony Payne | ... | assistant director |
Art Department
| David Cost | ... | assistant property master |
| Keith Povero | ... | property master |
| Masahiro Sugano | ... | storyboard artist |
Sound Department
| Jonathan Fur | ... | boom operator |
| Kent Gibson | ... | re-recording mixer / sound designer |
| Greg Howard | ... | sound recordist |
| Tom Mitchell | ... | foley recordist / re-recording mixer |
| David Yaffe | ... | sound mixer (as David Bar Yaffe) |
Visual Effects by
| Mark Dennison | ... | digital effects artist |
| Barry Pitts | ... | visual effects |
Camera and Electrical Department
| Steve Bellon | ... | steadicam operator |
| John A. Burke | ... | first assistant camera (as John Burke) |
| Larry Gill | ... | still photographer |
| Cliff Lane | ... | grip |
| Eric 'Jetson' Pfoutz | ... | first assistant camera (as Eric Pfoust) |
| Ziad Seirafi | ... | second assistant camera |
| Jason Stuck | ... | best boy |
| Kevin Thomas | ... | grip |
| Dan Watson | ... | grip |
| John Willis III | ... | gaffer |
| Alessandro Zezza | ... | key grip (as Allesandro Zezza) |
Editorial Department
| Gary Johnson | ... | assistant on-line editor |
| Peter G. Parise | ... | on-line editor (as Peter Parise) |
Location Management
| Rachela Davidson | ... | location representative (as Rachela Davidsen) |
Script and Continuity Department
| Lauri Kolb | ... | script supervisor (as Lauri A. Kolb) |
Additional Crew
| Kumiko Akimoto | ... | production assistant |
| Tony Brewster | ... | executive consultant |
| Greg Doty | ... | production assistant |
| Isobel Gardner | ... | production assistant |
| Judy Hamblin | ... | production secretary |
| Kent Hamilton | ... | production insurance |
| Warner Hitch | ... | caterer (as Warner H. Hitch) |
| Dawn Jeffory | ... | dialogue coach (as Dawn Jeffory-Nelson) / production coordinator (as Dawn Jeffory-Nelson) |
| Daniel Marshal | ... | fireman |
| Rosa Perdomo | ... | house keeper |
| Amy Rabins | ... | accountant |
| David Roland | ... | publicist |
| Aulten Spencer | ... | production assistant |
| Emily Stankovich | ... | production assistant |
| Michael Stewart | ... | craft service / script typist |
| Jessica Vargas | ... | production assistant |
| Daniel Vellucci | ... | accountant (as Dan Velluci) |
| Mark Wojan | ... | assistant: Mr. Kaczmarczyk |
Thanks
| Dan Baker | ... | special thanks |
| David Eliason | ... | special thanks |
| Wendy Girard | ... | special thanks |
| Janine Halloway | ... | special thanks |
| Thurston Hoines | ... | thanks |
| Rick Lashever | ... | special thanks |
| Michelle Marshall | ... | thanks: for continued support and guidance without which this film could not have been made |
