A woman who has lost her memory is taken in by a Los Angeles orphanage, and a private eye is enlisted to track down her identity, but he soon finds that he might have a past life connection to her that endangers their lives.
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mute woman who is suffering from a total amnesia and doesn't even know her name. She keeps having nightmares involving the murder of a pianist, Margaret, by her husband Roman Strauss in the late 1940s. In an attempt to solve the mystery about her identity and her nightmares, Church accepts the help of an antiquary who arrives to offer his services as a hypnotist. The hypnosis sessions soon begin to reveal some surprises.Written by
Sami Al-Taher <email@example.com>
I didn't catch this one until it hit a discount theatre in Miami Beach, but I'm glad I did. Whatever the status of Branagh and Thompson's relationship at the time, they project a fantastic chemistry as lovers karmically doomed to repeat the same mistakes over and over again, or so we are led to believe. Branagh has a fantastic directorial sense, honed in his years with Shakespearian theatre, and the intertwining of black-and white and colour footage to evoke different time periods works to great effect. Supporting players Derek Jacobi, Robin Williams, and Andy Garcia put in excellent performances, and the serviceable plot is made transcendant by this fine group of actors. Although some of the gore is a bit heavy, it doesn't overwhelm the story, something Branagh learned no doubt from the films of Alfred Hitchcock, and like the works of Hitchcock, even after the mystery is finally sorted out, the film continues to reward with repeat viewings. So, if the last copy of Blair Witch is out, and you're looking for a bit of suspense that isn't all blood and guts, give this one a try. You'll feel enlightened.
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