It's about a five member family. The father is a conservative and traditional person who directs the family. The mother is at home, she tries to hold together the family, while Mr. Bridge works as a lawyer. The children have just grown up, and the complications are derived from that they have a more modern view of life.Written by
Kornel Osvart <firstname.lastname@example.org>
Several antique wicker pieces used on the Kansas City set of the movie were provided by Wicker Fixer & Chair Re-Caner, out of Ozark, MO. See more »
A ticking noise can be heard in the European hotel room, yet the second hand on the clock does not move. See more »
[as a tornado rages outside the room they are in]
Walter, don't you think we might be better off downstairs in the basement?
India, for twenty years I've been telling you when something will happen and when it will not happen. Now, have I ever, on some significant occasion been proved wrong?
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Shakespearean Tutor to Mr. Newman - Senator Bob Dole See more »
A richly detailed movie which just misses the mark
I first saw this movie when released in 1990 and just watched it again, partly out of curiosity as to whether i would feel differently about it. I don't. I still see it as a movie with all the right things going for it but just missing the mark.
The acting, writing, cinematography, etc. are all exemplary. It is, i believe, the movie's episodic structure which ultimately makes it seem rather uneventful when, in reality, the story is made up of many quite important events. An episodic structure, can work just fine, of course, but, as with most successful stories, it still needs to have a certain "build" to it in order to really satisfy. If that "build" IS here in this movie, it is so muted as to be incoherent to most viewers. Not that Mr and Mrs Bridge is not worth viewing! In fact, its thematics are well worth discussing. In my eyes, the parents represent an older, more traditional way of life on the verge of irreversible change, as personified by their children (though one or two of them eventually settle back into the groove). The country club/tornado sequence seems especially significant in light of such a reading, that a "storm" is on its way and they had better take cover. That Mr Bridge should remain steadfast in its occurence speaks volumes about his character. There are myriads of wonderful little character traits, etc., in this movie worth pondering, by the way.
While Mr Bridge is a fascinating persona, it is Mrs Bridge who, for me, remains central to the film. In fact, it might be THE major statement of the movie that this suburban woman has begun to awaken to how sheltered (stifled?) she and others like her have been. Though she does yearn for more--in a sense she really does want to be fully awakened--she never becomes more than vaguely enlightened. She realizes--even accepts with a great deal of comfort--how "lucky" they are to have lived such a privileged life. Though there have been many victims of female discontentedness (e.g. her friend Grace), she and many like her have adapted quite well to their mode of survival and comfortable living. It simply means sacrificing all of those crazy dreams that artistic types pursue, not to mention sacrificing passion--real passion--for life.
There are many significant instances to underscore Mrs Bridge's circumstance as a woman dependent on her man, but none better, perhaps, than the at the end of the movie as a pampered victim in a car: "hello? hello? is there anybody there?"...indeed!
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