Hidden deep in the south of France, practically untouched by the modern age, is a place known by many as 'the Zone'. In this space, the supernatural is an everyday reality of life. Magic is... See full summary »
Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and ... See full summary »
In the future, a nuclear war has transformed the Earth into a radioactive wasteland where the sea has dried up leaving it as a post-apocalyptic desert. In the desert, A desert scavenger named Nomad discovers a robotic head, arriving in New York City, A space marine named Moses Baxter buys the robotic head from Nomad as a Christmas present for his girlfriend Jill Grakowski, who decides to use it for one of her sculptures. But all hell starts breaking loose, when the robotic head is activated and begins to rebuilt itself. When Alvy, a junkyard dealer discover the robotic head is a Mark 13, a military cyborg of a project that was abandoned. Moses learns Jill's life is in danger, as the Mark 13 cyborg goes on a violent rampage in Jill's apartment as Jill has become the the prime target for extermination.Written by
"Shok", the short story from the British magazine "2000AD" that the film is based on, was about Mike, a Strato-Bat Pilot, who buys the head of a Shok trooper robot as a gift for his artist girlfriend Lyn who then uses it for her metalwork. The Shok trooper robot reactivates and goes on a rampage in Lyn's apartment. See more »
After Jill attacks it with the buzz-saw, the Mark 13 steps back: if you look closely, you can see the legs of the man underneath the droid suit. The same thing can be seen towards the end as Jill and the robot are entering the bathroom. See more »
It's stupid, sadistic and suicidal to have children right now.
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The film was uncut in New Zealand and was given the R18 rating. When the film was released on DVD in New Zealand, also uncut, it was given the R16 rating. See more »
I saw this movie in the theater the week it opened way back when. It was a very, very late showing, and there were approximately five other people in the theater. Two walked out during the film. As the film credits rolled, the two women sitting next to us said, "My god! That was the worst film I have ever seen!" My only thoughts were, "They have not seen Starcrash!"
Both my friend and I loved Hardware. I introduced my SO to it this weekend, and he loved it. I think what I like about it is that it's a small movie that manages to execute its space perfectly. The universe of Hardware is dark, dirty, claustrophobic (without being small). The narrative is pure dystopia, which fits very well with the droid gone wild theme. The droid is so unrelenting, as is the dreariness of existence in this post apocalyptic space. I like how tight the movie is. I also like how clean the narrative is. There isn't any extraneous fluff.
I think this movie will appeal to the slightly more sophisticated film lover. It doesn't have big movie pretensions. Hollywood did not destroy this movie. The symbolism is far more subtle than in big productions. The pacing is also different. I loved the slow buildup.
This movie worked, but it's not an easy movie. If you're willing to work a little with a movie that doesn't have the big movie facade of Terminator II or Independence Day, and you enjoy dystopic science fiction, I think you will like this one.
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