Hardware (1990)

The head of a cyborg reactivates, rebuilds itself, and goes on a violent rampage in a space marine's girlfriend's apartment.

Director:

Richard Stanley

Writers:

Steve MacManus (story "SHOK!"), Kevin O'Neill (story "SHOK!")

Stars:

Dylan McDermott, Stacey Travis, John Lynch

3 wins & 3 nominations.

Cast

Cast overview, first billed only:
Carl McCoy	...	Nomad
Iggy Pop	...	Angry Bob
Dylan McDermott	...	Moses Baxter
John Lynch	...	Shades
Mark Northover	...	Alvy
Stacey Travis	...	Jill
Paul McKenzie	...	Vernon
Lemmy	...	Taxi Driver
William Hootkins	...	Lincoln Wineberg Jr.
Mac McDonald	...	Newscaster
Chris McHallem	...	Premier Boelgaxof
Barbara Yu Ling	...	Chinese Mother
Oscar James	...	Chief
Arnold Lee	...	Chinese Family
Susie Savage	...	Chinese Family (as Susie Ng)

Storyline

In the future, a nuclear war has transformed the Earth into a radioactive wasteland where the sea has dried up leaving it as a post-apocalyptic desert. In the desert, A desert scavenger named Nomad discovers a robotic head, arriving in New York City, A space marine named Moses Baxter buys the robotic head from Nomad as a Christmas present for his girlfriend Jill Grakowski, who decides to use it for one of her sculptures. But all hell starts breaking loose, when the robotic head is activated and begins to rebuilt itself. When Alvy, a junkyard dealer discover the robotic head is a Mark 13, a military cyborg of a project that was abandoned. Moses learns Jill's life is in danger, as the Mark 13 cyborg goes on a violent rampage in Jill's apartment as Jill has become the the prime target for extermination.

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Plot Keywords:

post apocalypse | cult film | woman on top | based on comic | based on comic book | 

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Taglines:

It activates it exhilarates... it exterminates

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Genres:

Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated R for strong violence, sexuality and language

Details

Official Sites:

Severin Films

Country:

UK USA

Language:

English

Release Date:

14 September 1990 (USA)

Also Known As:

M.A.R.K. 13

Filming Locations:

London, England, UK

Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend USA:

$2,381,285, 16 September 1990, Wide Release

Gross USA:

$5,728,953

Cumulative Worldwide Gross:

$5,100,000

Company Credits

Production Co:

Palace Pictures, British Screen Productions, British Satellite Broadcasting (BSB)

Technical Specs

Runtime:

94 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Dylan McDermott was very depressed during production because his girlfriend at the time Julia Roberts broke up with him.

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Goofs

When the droid rebuilds itself, it picks up a circular saw. When it uses that circular saw as a weapon later, it is completely different design, with an all different cutting disk.

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Quotes

Angry Bob: [on radio] Nature never knew colors like this.

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Alternate Versions

The film was uncut in New Zealand and was given the R18 rating. When the film was released on DVD in New Zealand, also uncut, it was given the R16 rating.

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Connections

Featured in That Sci-Fi Guy: Hardware (2013)

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Soundtracks

Ace of Spades
Written by Lemmy (as Ian Kilmister), Fast Eddie Clarke (as Edward Clarke) and Phil 'Philthy Animal' Taylor (as Philip Taylor)
Performed by Motörhead
Published by Motor Music Ltd. (Leosong) c/o Filmtrax Music Publishing
Licenced courtesy of Castle Communications Plc.

User Reviews

It's a good movie to analyze, but not always great to watch

First off, let's get my bias out the way, I'm a die-hard fan of this movie, and this review is definitely intended to get the reader to give it a chance.

The film is riddled with industrial (music) culture references and cameos, and if you're into that scene, there's a certain sick thrill about seeing Carl McCoy as the zone trooper, and seeing footage of proto-industrial performance artist Monte Cazazza in this. The general tone and ambiance of the whole piece of wonderfully clichéd cyberpunk.

And that's really the interesting thing about this film. While there are a plethora of terrible sci-fi slasher flicks out there desperately claiming the 'cyberpunk' moniker, here is a film that claims to be nothing more than a sci-fi slasher flick, and manages to be somewhat of a pulp-cyberpunk classic instead.

The whole movie is a mood piece, designed more for its ambiance and the feel of its world, than particularly flashy action sequences or on-screen 'wow' factor. It's meant to be a genre movie, but it manages to feel like a 'serious' film under the influence of some heavy drugs. Not a bad thing really, but your tastes may disagree. Personally I've always liked that sunset-filtered-through pollution look that Bladerunner was infamous for, and hardware utilizes the same rather well.

Genre movie it may be, but it shows far less cheese coating and terrible acting than any of the current glut of genre movies being produced for the Sci-Fi channel. In fact the whole movie feels more like a good pulpy cyberpunk novella than a genre movie by far. Calling the movie 'mood music for rivetheads' isn't really an insult to it.