Henry Hill might be a small time gangster, who may have taken part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who might have set their sights a bit higher. His two partners could kill off everyone else involved in the robbery, and slowly start to think about climbing up through the hierarchy of the Mob. Henry, however, might be badly affected by his partners' success, but will he consider stooping low enough to bring about the downfall of Jimmy and Tommy?Written by
Colin Tinto <email@example.com>
The film's soundtrack did not include many of the songs featured in the film, most of them being the tracks played during the lengthy scene where Henry rushes around trying to make his drug deal. The songs sampled during the scene are, in order, "Jump Into the Fire" by Harry Nilsson, "Memo From Turner" by Mick Jagger, "Magic Bus" by The Who (from the Live at Leeds album), "Monkey Man" by The Rolling Stones, "Mannish Boy" by Muddy Waters, "What is Life" by George Harrison, "Mannish Boy" again, and "Toad" by Cream. See more »
When Billy Batts is mocking Tommy in the bar, he eventually raises his glass and says "Salud, Tommy", but his lips aren't moving. See more »
A television version of the film was prepared by director Martin Scorsese, which retained a good portion of the film's graphic violence. It also retained much of the profanity, minus the F- and S-words, which were dubbed over. Scorsese did a televised introduction upon the film's network premiere. See more »
"As far back as I can remember, I've always wanted to be a gangster." -- Henry Hill, Brooklyn, N.Y. 1955.
Gangsters are all around us. Everyone knows it, not everyone wants to accept it. "Goodfellas"--based on true events--explores the lives of gangsters, chronicling the events through the eyes of Henry Hill (Ray Liotta), who gets involved with the Mafia at a young age and continues his "career" throughout the film.
As he gets older, he marries and has children, but still works for the organized crime family, under mob boss Paulie (Paul Sorvino); and he is friends with Jimmy (Robert De Niro), a calm, steady gangster; and Tommy (Joe Pesci), a wild man with serious mental problems.
Eventually Henry's life goes down the gutter, leading to drug abuse and paranoia, that leads to other unfortunate incidents that will be ruined if I type any more about them.
"Goodfellas" is one of the best films I have ever seen. It's a tour de force of breathtaking images, witty scriptwriting, superb acting and realistic violence.
Robert De Niro gives one of his best performances -- ever -- as Jimmy, even if he's not in the film as much as you might be lead to believe from the front cover.
Joe Pesci is in this movie about as much as De Niro, maybe a bit more or less. But when he's on screen there's no doubting he's on screen--he's very hard to miss. A short, deranged, loud-mouthed man with something wrong in his head. Someone makes an insult toward him and he shoots them, and then laughs. It's quite disturbing. I am a huge fan of Pesci, and I tend to love his characters, but he really makes you feel sick towards his character in "Goodfellas," while at the same time taking a strange liking to him. That just goes to show how good of an actor Pesci is.
Ray Liotta is perfect as Henry Hill. I can't think of a better actor to play him. He captures a sense of innocence yet at the same time a feeling of violence. I love the scene where he walks over to a man's house with a regular expression on his face. "What do you want, f&*^&?" the man asks. Liotta continues walking, takes out a gun, and starts to continually beat the man in the skull with the butt of his gun. As Henry walks back to his car, his face is disturbing and his expression stays with you for a long, long time.
Martin Scorsese is a brilliant director and his work here is fabulous; it's been recreated by other directors (namely Paul Thomas Anderson in "Boogie Nights") and there's a reason: it's great stuff. He totally deserved to receive Best Director in 1990, but of course he didn't. (Rumor has it the Academy frowns on Scorsese's use of racial slurs in his work. Oh boo hoo, get over it.)
The movie is based on the true-crime memoirs of the real-life Henry Hill, whose novel with Nicholas Pileggi -- "Wiseguys" -- was adapted into a screenplay by Pileggi and Scorsese. The book itself was fantastic and insightful; the screenplay is even better. The dialogue is incredible.
Anyway, "Goodfellas" has to be one of the best films I've ever seen--a true modern classic that will be remembered for what it is: One of the greatest tales told on screen. It's an offer you can't refuse!
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