Ben du Toit is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener's son is brutally beaten up by the police ... See full summary »
Walrus-like warden, Sven "Swede" Sorenson, a cross between Bluto and Wimpy, runs the prison, murders convicts who escape, and has the FBI on his trail in the form of agent Karen Polarski, ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an "importer" bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he can't refuse, he finds himself caught up in a caper involving endangered species and fine dining.Written by
Scott Renshaw <email@example.com>
During post-production, Marlon Brando publicly condemned this film and claimed it would be the biggest turkey of all time. This was because Brando asked for an additional $1 million when the shoot was extended an extra week. When the producers refused, he threatened to badmouth the film in the press. They still refused and he followed through with his threat. The following day, the producers paid him the money and he publicly praised the film. See more »
The Komodo dragons are actually Salvadori's monitors. See more »
As graceful and charming a performance as he ever gave
Word has it that Brando wasn't happy with the movie, but it's hard to see why. Bergman's ham-fisted humor hits the mark a lot more of the time than usual, the ensemble cast is fine (Matthew Broderick is always best in these kinds of settings, at least when it comes to movies), and the one major anachronistic gaffe (no mafia boss would have a photo of Mussolini in a place of honor on the wall - he locked 'em up and they hated him) is harmless in context.
But Brando is what makes the movie special: like a sprinkling of something heavenly on an otherwise earthbound enterprise. He's done far more brilliant work elsewhere, of course, but I can't think of another movie that caught just what a uniquely odd presence he was.
I'll say it again: As graceful and charming a performance as he ever gave. RIP, big man.
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