Five medical students, obsessed by what lies beyond the confines of life, embark on a daring experiment: by stopping their hearts for short periods, each triggers a near-death experience - giving them a firsthand account of the afterlife.
After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood ... See full summary »
Medical students begin to explore the realm of near death experiences, hoping for insights. Each has their heart stopped and is revived. They begin having flashes of walking nightmares from their childhood, reflecting sins they committed or had committed against them. The experiences continue to intensify, and they begin to be physically beaten by their visions as they try and go deeper into the death experience to find a cure.Written by
John Vogel <firstname.lastname@example.org>
Joel Schumacher was intrigued by the spiritual and horrific aspects of "Flatliners", and enthusiastic about the possibilities of creating a visually exciting film. Schumacher said: "Flatliners (1990) is a story about atonement and forgiveness involving these students who, in a sense, violate the gods and pay a price. I think we would all like to know what's in store for us after we die. There have been thousands of reports from all over the world from those who have encountered 'near death', and most of them have reported pleasant experiences. Our movie, however, is saying that you're not to tamper with death. If there is anything we're supposed to learn about it, it will be revealed when we die." See more »
When David and Nelson go to visit Winnie Hicks, the Jeep's window is alternately rolled up and down and then back up again between shots. See more »
I recall seeing this movie three times, first in the early 90s, then 00s and now I just saw it again and each time I've grown more fond of it. There is something in Schumachers style that drags me into it. The story is OK, nothing really remarkable. It's one part ghost story, one part medical thriller, one part love triangle.
What really makes this movie worthwhile is Schumachers direction. He's got a very good eye for this Gothic style. One might wonder why the school was so poorly lit, or what exactly was the place they did their experiments at, but it's all for the mood, it's all style. Sometimes style does go over substance, but in this case they work hand in hand. The Gothic architecture and gloomy late autumnal Chicago are just what this movie needed. Just like The Lost Boys IS small town sunny California. Schumacher should've stuck to this style which clearly is his forte, but sadly he has since had a very varying career with only occasional hits.
The cast is great, all of the stars have gone a long way since. Makes one only wonder what could've become of William Baldwin had he made better career moves. He is very good in this movie. I've always liked Kiefer Sutherland as a movie actor, and he does a remarkable job here too. I really would've rather seen him as a full time movie actor rather than going for TV.
There is only one thing that bothers me in this movie and it's the story in all it's simplicity. If people have had near death experiences before and have come back to tell, what new did this crew try to achieve? If not only have personal experience of death, but I got the idea most of them were in it for the science. Why risk brain damage and gamble with life for something you will not get any proof anyway. Especially given that they are medical students, the story is not 100 % believable, but like I stated earlier, watch this movie more for the mood.
I'm glad it's already been so long since the 90s so one can start appreciate the movies of this decade again without getting caught on the hairdos and such.
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