Gus Cantrell is a major league pitcher in the twilight of his career. He contacted by Roger Dorn, General Manager of the Minnesota Twins, and offered the role of managing the Buzz, the ... See full summary »
Rachel Phelps is the new owner of the Cleveland Indians baseball team. However, her plans for the team are rather nefarious. She wants to move the team to Miami for the warmer climate and a new stadium. To justify the move, the team has to lose, and lose badly. So she assembles the worst possible team she can. Among these are a past-his-prime catcher with bad knees, a shrewd but past-his-prime pitcher, a young tearaway pitcher (and felon) with a 100 mph fastball but absolutely no control, a third baseman who is too wealthy and precious to dive, a voodoo-loving slugger who can't hit a curve ball and an energetic-but-naive lead off hitter and base-stealer who can't keep the ball on the ground. Against the odds, and after the inevitable initial failures, they iron out some of their faults and start to win, much to Ms Phelps' consternation.Written by
Charlie Sheen had previously played real life Baseball Player Hap Felsch in the film Eight Men Out. Dennis Haysbert would later play the part of a fictional pro baseball player in the film Mr. Baseball, as would Wesley Snipes in The Fan. James Gammon was also featured as a fictional Indians Manager on the 1990's TV series Homefront, See more »
The Spring Training site for the Indians is in Tucson, Arizona, according to the advertisement on the taxi Jake Taylor gets out of. While it has since moved, this was correct at the time of the film. See more »
Good morning, gentlemen, and welcome to another season of Indians baseball.
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An edited-for-television version of the film featured a revised scene depicting the removal of the final piece of the YOU GUYS STINK / Rachel Phelps Cut-out. Lou Brown can be seen (and heard) asking, "Should I take it off ?" After he does, the rest of the players cheer loudly, though the fully unclothed cutout is never shown. See more »
There have been some excellent baseball movies made from Field of Dreams to The Pride of the Yankees, but no movie based on the national pastime can ever claim to be as hysterically funny as Major League. Granted, the value of the original was hurt by the second and third attempts at re-creating the atmosphere. Those two films were an embarrassment to all involved.
Major League, however, personified the attitude of "Nothing to lose". Aside from the easily identified woes of the Cleveland franchise of the late-eighties, there were several actors in this film that had yet to hit big or had started to fall from grace. The incredibly strong language of the movie only made it seem that much more realistic.
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