A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is on possibly his most brutal mission yet. Bond's good friend, Felix Leiter, is left near death, by drug baron Franz Sanchez. Bond sets off on the hunt for Sanchez, but not everyone is happy. MI6 does not feel Sanchez is their problem and strips Bond of his license to kill making Bond more dangerous than ever. Bond gains the aid of one of Leiter's friends, known as Pam Bouvier and sneaks his way into the drug factories, which Sanchez owns. Will Bond be able to keep his identity secret, or will Sanchez see Bond's true intentions?Written by
Sea-Air Service, a sea plane company located in Louisiana, leased their sea plane for the scene where Bond takes over the plane full of cash. When the plane was returned to Louisiana, an employee from the sea plane company still found loose movie cash in the back when cleaning the cabin upon return from filming. See more »
In one scene, the federal agents are talking to Bond in front of the Key West Sponge Market. They start walking, and in the next scene they are in front of Hemingway House. The two locations are actually about a mile apart. See more »
AWACS radar operator:
We have a mid-course deviation. Target heading 036, 126 miles, bearing 062, Havana VOR.
Voice of DEA agent:
He's landing at Cray Key. Advise Key West Drug Enforcement.
AWACS radar operator:
Roger, sir. AWACS to Key West. Key West Drug Enforcement, please come in.
Voice of DEA agent:
If they hurry, they just might be able to grab the bastard.
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The Surgeon General's warning appears at the end credits, due to the characters' use of tobacco products. See more »
To receive a 15 certificate, the original UK cinema release was cut by the BBFC with edits to the opening whipping of Lupe, the shark attack on Leiter, a brief shot of Krest's exploding head, blood spurts from the shooting of Loti, Dario's bloody death in the grinder, Sanchez on fire, and sound effect levels of blows in certain scenes. This same print was released on VHS. For the 2000 Special Edition DVD, some cuts were waived, with the PG-13 version being passed 15 without further cuts (despite the film playing fully uncut on ITV). The BBFC waived all the cuts for the Ultimate Edition DVD release, which restored the cuts made for the PG-13 in the US and all of the original BBFC cuts. See more »
Hard-edged Bond film. Not a great commercial success, but it has interesting points.
Timothy Dalton only played Bond twice, but he tried to base his interpretation of the character on the descriptions provided by Ian Fleming in the original novels. Therefore, his Bond is quite ruthless and embittered, and always ready to stick two fingers up at the establishment if he feels they've got it wrong.
Bond is vacationing in Florida, acting as best-man at his friend Felix Leiter's wedding, when the unthinkable happens. Leiter and his wife are assaulted by some Central American thugs; the wife is murdered and Leiter is crippled by sharks. Bond is obviously deeply unhappy about this, but his bosses instruct him to let the matter drop and get on with another assignment. 007 knows who is responsible for the injuries to his friend, so he revokes his licence to kill and becomes a rogue agent, tracking down the villainous drug lord Sanchez (Robert Davi) to his Latin America headquarters. Here, aided by Sanchez's unfaithful mistress Lupe (Talisa Soto) and CIA agent Pam Bouvier (Carey Lowell), Bond attempts to wipe out their enormous clandestine drug operation single-handedly.
There's definitely an uneasy, hard edge to the film which makes it unique among the Bond series. Whether or not this improves the film depends on your personal taste: if you like safe, humorous Roger Moore escapades, you'll probably find this too jarring, whereas if you prefer espionage stories with a bit of grit and sweat, this may be just what you're after. The action sequences are still outrageous in the tried-and-trusted Bond style, with memorable episodes featuring a daring helicopter .vs. airplane pursuit; a barefoot water-skiing sequence; and a truck chase down the side of a mountain. Some of the language, though not out-and-out "foul", is a bit stronger and more believable than in other Bond entries. The theme tune from Gladys Knight and the Pips is one of the better 007-tracks.
Licence to Kill is a new twist on the Bond theme. It isn't the best, and some of its new ideas don't fit with the usual routine (which may or may not be a good thing), but it is certainly interesting.
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