The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such ... See full summary »
The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.Written by
Keith Loh <firstname.lastname@example.org>
The dishwasher sings Psalm 51:2: "Wash me from my iniquity...." See more »
When Albert (Michael Gambon) goes into the ladies' toilet and starts throwing women out of the cubicles, the second one has, as you would expect, her underwear around her knees. But her skirt rides right up, revealing that she is still wearing her underwear, and that the ones below are a prop. See more »
What are you doing in there, Georgie? You playin' with yourself? That's not allowed. That's my property, you're not allowed to fiddle with it. Now come on, open the door, I'll show you how to wipe yourself.
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Closing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant." See more »
An edited, R-rated version is available on video. See more »
The "inside story" of this film is color. Most professional reviewers, with nation-wide media exposure, missed this underlying story element entirely, as did I, until half way through my first viewing. Once I realized the colors of the costumes changed, as the characters passed from room to room, I had to go back and see it again. That's how I got hooked.
During the next viewing, I took note of the creativity and effort that went into the design and construction of the costumes, several times, as each one had to be rendered in several colors. The next time through, I noticed how the color of each room related to the activity that normally took place there, even in the outdoor sequences. With the subsequent viewing, I concentrated on the soundtrack.
From that point on, my awareness of all these elements, served to enhance my appreciation of each character and his or her contribution to the story line. That's when the much talked about "gross-out" aspects of the film seemed to diminish in their ability to shock. In fact, by that point, they seemed to fit much more naturally, although the "NC-17" rating is absolutely appropriate.
This is a sumptuous feast for the eyes and ears of intelligent "adult" viewers. Not to be missed.
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