The Cook, the Thief, His Wife & Her Lover (1989)

The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

Director:

Peter Greenaway

Writer:

Peter Greenaway

Stars:

Richard Bohringer, Michael Gambon, Helen Mirren

7 wins & 10 nominations.

Cast

Cast overview, first billed only:
Richard Bohringer	...	Richard
Michael Gambon	...	Albert
Helen Mirren	...	Georgina
Alan Howard	...	Michael
Tim Roth	...	Mitchel
Ciarán Hinds	...	Cory (as Ciaran Hinds)
Gary Olsen	...	Spangler
Ewan Stewart	...	Harris
Roger Ashton-Griffiths	...	Turpin (as Roger Ashton Griffiths)
Ron Cook	...	Mews
Liz Smith	...	Grace
Emer Gillespie	...	Patricia
Janet Henfrey	...	Alice
Arnie Breeveld	...	Eden
Tony Alleff	...	Troy

Storyline

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband's restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.

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Plot Keywords:

abusive husband | domestic violence | restaurant | revenge | murder | 

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Taglines:

Lust...Murder...Dessert. Bon Appetit!

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Genres:

Crime | Drama

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Certificate:

NC-17

Details

Official Sites:

Official site

Country:

Netherlands UK France

Language:

English Japanese French Dutch

Release Date:

6 April 1990 (USA)

Also Known As:

The Cook, the Thief, His Wife & Her Lover

Filming Locations:

Goldcrest Elstree Studios, Borehamwood, Hertfordshire, England, UK

Box Office

Gross USA:

$7,724,701

Company Credits

Production Co:

Allarts, Elsevier-Vendex Film Beheer, Allarts Cook

Technical Specs

Runtime:

124 min 98 min (R-rated)

Sound Mix:

Dolby Stereo (as Dolby Stereo in selected theatres)

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The lengthy tracking shot from the restaurant to the toilet is supposed to be symbolic of food passing through the intestinal tract.

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Goofs

When Albert (Michael Gambon) goes into the ladies' toilet and starts throwing women out of the cubicles, the second one has, as you would expect, her underwear around her knees. But her skirt rides right up, revealing that she is still wearing her underwear, and that the ones below are a prop.

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Quotes

Albert: Circumsized mediocrity is screwing my wife!

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Crazy Credits

Closing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant."

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Connections

Referenced in One Foot in the Grave: Who's Listening (1990)

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Soundtracks

Memorial
Written by Michael Nyman
Performed by The Michael Nyman Band

User Reviews

Bon appetit.

Writer/Director Peter Greenaway teams up again with cinematographer Sacha Vierny and composer Michael Nyman, delivering a banquet of sound and colour, light and dark. And dark and dark. A simple if disturbing morality tale sits atop a canvas of grotesque characters, carefully-composed frames and revolting details. The restaurant setting forces analogues with a meal, and it's easy to oblige - a rather formal affair, bordering on pretentious, with its influences conspicuous - sumptuous, exotic, intoxicating, memorable, if perhaps too rich and over-long, and it plays havoc with the digestion.

As acquired a taste as any of Greenaway's work, and by no means an unqualified triumph. This film does not deliver on all its promises. But at least they were big promises. Try a piece - if you don't like it, you can always go back to your burgers and fries.

Nine out of ten.

Notes:

1. Michael Gambon's "Albert Spica" (the Thief of the title) surely ranks as one of cinema's all-time nastiest villains. Sorry Darth - no cigar.

2. The title of this film has become a template for headlines in British newspapers, e.g. "The A, the B, his C and her D". Don't ask me why.

3. "Cook/Thief" is one of four similar and inter-related films that Greenaway made during the 1980s, the others being "The Belly of an Architect", "A Zed and Two Noughts" and "Drowning by Numbers". While "Cook/Thief" stole all the headlines with its snazzy visuals and outrageous grotesquery - not to mention various collisions with the censors - For me, "Drowning" is the best of the bunch. And somewhat easier on the eye (and stomach).