At Le Hollandais gourmet restaurant, every night is filled with opulence, decadence and gluttony. But when the cook, a thief, his wife and her lover all come together, they unleash a shockin... Read allAt Le Hollandais gourmet restaurant, every night is filled with opulence, decadence and gluttony. But when the cook, a thief, his wife and her lover all come together, they unleash a shocking torrent of sex, food, murder and revenge.At Le Hollandais gourmet restaurant, every night is filled with opulence, decadence and gluttony. But when the cook, a thief, his wife and her lover all come together, they unleash a shocking torrent of sex, food, murder and revenge.
- Awards
- 7 wins & 11 nominations
Ciarán Hinds
- Cory
- (as Ciaran Hinds)
Roger Ashton-Griffiths
- Turpin
- (as Roger Ashton Griffiths)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWriter and director Peter Greenaway uses specific colors to represent each set of this movie. The exterior of Le Hollandais is predominantly blue. The kitchen is mostly green. The seating area of the restaurant is red, and the restrooms are stark white. The color of Georgina's (Dame Helen Mirren's) dress and the sashes that Albert (Sir Michael Gambon) and his associates wear change to match this scheme as the characters move from room to room. The color of Georgina's cigarettes also changes to match the color of the set as she moves. The interiors of Michael's home are mostly brown, like the blazer he wears throughout the story.
- GoofsWhen Albert (Michael Gambon) goes into the ladies' toilet and starts throwing women out of the cubicles, the second one has, as you would expect, her underwear around her knees. But her skirt rides right up, revealing that she is still wearing her underwear, and that the ones below are a prop.
- Crazy creditsClosing credits epilogue: "And a special thanks to those very many people who patiently & repeatedly performed as patients & nurses in the hospital ward, and as diners in the Hollandais Restaurant."
- Alternate versionsAn edited, R-rated version is available on video.
Featured review
An unforgettable piece of total cinema
First of all, I have to say that this film is one of my personal favorites, and that it is one of those things one must see during his or her lifetime.
Truthfully, however, I first got into this film after hearing clips of the soundtrack on the Japanese version of Iron Chef, during a time before it was acquired by the Food Network. This film score, composed by the great post-minimalist Michael Nyman, is still one of the most haunting and soul-stirring scores in my opinion, if not the one of the most impressionable bodies of musical work ever. I still listen to the album on a weekly basis - it gets under your skin that way.
The film itself is a piece of total art, as others have said. The sets are saturated with their singular color schemes (blue for the restaurant's exterior, green for the kitchen, white for the restrooms, and red for the main dining hall) , and people who have any sort of artistic training have valued and will continue to value this film as a character study of color. In this present age where most films present their interpretations of visual thrill through costly CG and SFX technologies, this film is a testament to how color can be a driving influence behind effective set design and cinematography.
The principal actors, including the always amazing Helen Mirren and Michael Gambon, are first rate. Helen Mirren's Georgina is a truly heart-wrenching character, especially in the face of Gambon's portrayal of Albert Spica, a poor excuse for a human being and one of cinema's cruelest villains. The cook and lover are merely catalysts, serving to instigate the final act that is the undoing of Albert's overreaching tyranny.
I suppose the anti-Thatcher sentiment is highly applicable to this film, but since I am not a British citizen, I feel that I cannot comment on this. However, I think the film's allegory can also be applied to other scenarios where a brutish figure uses violence and exploitation as a way to control others whose primary fault is only residing in the same physical/social/legal domain as the brute.
In short, a masterpiece.
Truthfully, however, I first got into this film after hearing clips of the soundtrack on the Japanese version of Iron Chef, during a time before it was acquired by the Food Network. This film score, composed by the great post-minimalist Michael Nyman, is still one of the most haunting and soul-stirring scores in my opinion, if not the one of the most impressionable bodies of musical work ever. I still listen to the album on a weekly basis - it gets under your skin that way.
The film itself is a piece of total art, as others have said. The sets are saturated with their singular color schemes (blue for the restaurant's exterior, green for the kitchen, white for the restrooms, and red for the main dining hall) , and people who have any sort of artistic training have valued and will continue to value this film as a character study of color. In this present age where most films present their interpretations of visual thrill through costly CG and SFX technologies, this film is a testament to how color can be a driving influence behind effective set design and cinematography.
The principal actors, including the always amazing Helen Mirren and Michael Gambon, are first rate. Helen Mirren's Georgina is a truly heart-wrenching character, especially in the face of Gambon's portrayal of Albert Spica, a poor excuse for a human being and one of cinema's cruelest villains. The cook and lover are merely catalysts, serving to instigate the final act that is the undoing of Albert's overreaching tyranny.
I suppose the anti-Thatcher sentiment is highly applicable to this film, but since I am not a British citizen, I feel that I cannot comment on this. However, I think the film's allegory can also be applied to other scenarios where a brutish figure uses violence and exploitation as a way to control others whose primary fault is only residing in the same physical/social/legal domain as the brute.
In short, a masterpiece.
helpful•4211
- onionhasayoyo
- Nov 7, 2007
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Der Koch, der Dieb, seine Frau und ihr Liebhaber
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $7,724,701
- Opening weekend US & Canada
- $252,223
- Apr 8, 1990
- Gross worldwide
- $8,523,994
- Runtime2 hours 4 minutes
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content

Top Gap
What is the streaming release date of The Cook, the Thief, His Wife & Her Lover (1989) in Brazil?
Answer