A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used-car salesman while terrorists smuggle nuclear war heads into the United States.
Jamie Lee Curtis,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
Formerly married petroleum engineers who still have some issues to work out. They are drafted to assist a gung-ho Navy SEAL with a top-secret recovery operation: a nuclear sub has been ambushed and sunk, under mysterious circumstances, in some of the deepest waters on Earth.Written by
Director James Cameron was determined to actually film major portions of the movie underwater, as he felt that the conventional way to shoot such scenes (slow-motion filming on a set filled with smoke, or in the ocean with stunt divers) looked unconvincing. While searching for a suitable tank for filming during pre-production, he was advised of a half-completed nuclear reactor facility in Gaffney, South Carolina that was intended to be used as a movie studio. When Cameron was given a tour of the location, the unfinished turbine pits were suggested to serve as the tank for principle photography. However, when he saw the facility's nuclear reactor housing (a 55-foot tall bowl, 240 feet in diameter) he decided that this structure was ideal, as it could accommodate huge sets and its walls would not be visible on screen. The reactor, designated 'A tank', thus became the largest underwater set in the world at 7.5 million gallons, and the turbine pit was used as 'B tank' for miniature special effects filming. See more »
Soon after Virgil begins his descent into the abyss, Linz informs him that he's broken the world record for the deepest sea dive. He smiles, which causes air bubbles to come out of his nose, even though he's supposed to be breathing liquid oxygen. See more »
Though I prefer The Terminator and Aliens, this film is James Camerons most artistic film. The visual imagery of this film is stunning, with no half measures taken, it is such a pleasure to watch. The aliens look as beautiful as an alien can do and the underwater scenery is so picturesque that I just wish I could be there.
The special effects are stunning. As with a lot of Cameron's hits, this was an innovator in special effects. If it wasn't for this film, films such as The Matrix and Lord of the Rings would not be here or at least would not have been able to express themselves in a visual sense.
Cameron is the ultimate director. Although he is a pain to work with, he gets his image across and proves why he is such a hit machine. No one compares to him when it comes to picking a cast. Even though most of this cast were, and still are, unknown, the performances in this are fantastic. I know I always praise him but Michael Biehn as Coffey is one of the best acting performances I have ever seen and the fact that Biehn was not even Oscar nominated is a travesty! He is great to watch as the maniac who is irate and just plain horrible. Ed Harris is on par with his good performances in The Rock and Apollo 13. You just want to be his mate in this movie despite the fact he is another pain (see Rock out takes) which is why him and Cameron have not spoken a word since this film. Mary Elizabeth Mastrantonio was a bit of a fad. She didn't last very long being in good films but she is good as the hard nosed estranged wife who near the end, becomes wonderfully vulnerable and loving.
Cameron is a great writer and The Abyss, along with The Terminator and Strange Days, shows off his talent to a great extent. As with all of Cameron's Sci-Fi screenplays, behind the technology lies a distinctively human element. This enables The Abyss, despite the extra terrestrial goings on, to approach the audience on their level and suck viewers in to the film. The character of Coffey is a great obstacle character because he is losing his mind and is getting engulfed by paranoia to the point where he can not trust anyone. The way Cameron uses Coffey to build up suspense is very effective and the culmination of this is one of the most frantic underwater chases there will ever be. Spectacular is the only word that comes to mind. The ending of this film has been heavily criticised but this is unfair as it carries a decent message regarding humanity and fits the mood of the film. It may have been slightly rushed but the best bits of the film are all under water anyway.
Anyone who likes their special effects, a great story and terrific acting need look no further than The Abyss. The contrast of the breathtaking beauty of the ocean between the claustrophobia of a vessel should be enough to captivate most audiences. A fantastic visionary piece.
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