A boy who grew up in a native Sicilian Village returns home as a famous director after receiving news about the death of an old friend. Told in a flashback, Salvatore reminiscences about his childhood and his relationship with Alfredo, a projectionist at Cinema Paradiso. Under the fatherly influence of Alfredo, Salvatore fell in love with film making, with the duo spending many hours discussing about films and Alfredo painstakingly teaching Salvatore the skills that became a stepping stone for the young boy into the world of film making. The film brings the audience through the changes in cinema and the dying trade of traditional film making, editing and screening. It also explores a young boy's dream of leaving his little town to foray into the world outside.Written by
The film was shot in Bagheria, Sicily, Giuseppe Tornatore's hometown. The director largely drew on his childhood experiences there as inspiration for the film. See more »
When Toto is a kid, and he and Alfredo are writing the exam, Toto throws a ball of paper to Alfredo. In one frame, he is throwing it with his left hand and in another frame he is throwing with his right hand. See more »
Maria Di Vita - Older:
[on the phone]
Maria Di Vita - Older:
Yes, Salvatore di Vita. You mean you don't know him, Miss? That's right, and I'm his mother. I've been calling from Sicily, all day long. I understand, he's not there.
See more »
Featured on 2Cellos album Scores and on tour (2017) See more »
Movies can wield a strange power over those who sit in the darkened seats of a theatre. The truly great ones manipulate your perception of reality, suspend your disbelief, and ultimately either alter or affirm your view on life. NUOVO CINEMA PARADISO is just such a movie. It is the near-perfect melding of direction, acting, script, sound track, and cinematography. Phillipe Noiret and Salvatore Cascio give the kind of performances usually associated with much more recognizable actors. The supporting cast looks like they could all be full-blooded Sicilians. The location shots add depth and realism to the entire production. Ennio Morricone's music is simply the most appropriate and emotive I have ever had the pleasure to hear in a theatre. Tornatore's script and direction are a joy, a breath of fresh air.
I will not spoil this story by repeating it, nor will I give away the ending, although it matters not a whit. I could disclose fully everything in this movie, and in seeing it, all my words would evaporate. There is nothing like the experience of sitting through it, becoming engulfed by it, and in the end, being changed.
286 of 323 people found this review helpful.
Was this review helpful to you?
| Report this