A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
Josh Baskin would do anything to be big to hang out with his crush at the carnival. He finds a Zoltar machine, and he wishes to be big. After Zoltar tells him, "his wish is granted", Josh notices the machine is unplugged. He wakes up the next morning in an adult's body but he still has the same personality. With the help of his best friend, Billy, Josh learns how to act like a grown up. But as he gets a girlfriend and a fun job, he doesn't want to be a kid again. Will Josh stay big or become a 13 year old boy again?
Big (1988) is the first film on which Tom Hanks has worked with composer Howard Shore. The other films are Philadelphia (1993) and That Thing You Do! (1996). As well as starring in the latter film, this was also Hanks's directorial debut. See more »
When Josh and Paul are walking to the court, Paul says a line but his mouth clearly says something else. See more »
Man with beard on street:
FINE! Fine. Fine. Fine, fine! Kill the bitch. Kill the bitch. Kill her with a knife. Kill the bitch. Put it in. Bitch! Kill the bitch! Kill her!
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Some believe that a home video release of this movie in New Zealand included an alternate ending. The alternate ending allegedly shows young Josh sitting in his classroom at school when he turns around to notice a young female classmate of whom who he recognizes as Susan- who went back to the fairground machine and wished that she was Josh's age. Some claim that this version was also seen on Latin American television.
The Book of Lists, Canadian Edition, 2005 includes the following account: "During test screenings, an additional scene was included at the end, in which Josh is back at school, and a new girl named Susan arrives. The implication is that Susan used the same machine to make herself young to grow up with Josh. Due to audience feedback, this scene was cut, and so the movie ends when Josh goes back home." See more »
What we're talking about is a wonderful fantasy comedy about the child, who sleeps in everyone's soul and waits to get free. Superbly written scenes follow each other, not to mention Tom Hanks' performance, which should have been awarded. He seems to me the only contemporary actor, who was able to play the role of a 13-year-old teenager, who becomes an adult from one day to another. Elizabeth Perkins and especially John Heard form a strong supporting cast and this time they really support Hanks' work. This film bothers to talk about more important things, like the loss of innocence, friendship and the first love, not just tells a story about a boy in the big city. This was Hanks' star-making role after a string of stupid comedies in the middle 80s and he deservedly became one of the biggest stars of the 90s. And don't forget, this was his first film in his "outsider" series: he made his biggest successes playing somehow outsider figures: Sleepless in Seattle, Philadelphia, Forrest Gump or the Cast Away. Go and see it, you won't be disappointed even if you think you've lost the child inside you...with the help of this film you will find it. Believe me.
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