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The Hanoi Hilton

  • 19871987
  • RR
  • 2h 5m
IMDb RATING
6.1/10
1.1K
YOUR RATING
The Hanoi Hilton (1987)
A drama focusing on the suffering, torture, and brutal treatment the American P.O.W.s had to deal with daily while in North Vietnam's Hoa Lo Prison, the most infamous P.O.W. camp in Hanoi. The film focuses on the resistance the prisoners gave to their captors and the strong bonds formed by the Americans during their captivity.
Play trailer1:37
1 Video
21 Photos
DramaWar
A drama focusing on the suffering, torture, and brutal treatment the American P.O.W.s had to deal with daily while in North Vietnam's Hoa Lo Prison, the most infamous P.O.W. camp in Hanoi. T... Read allA drama focusing on the suffering, torture, and brutal treatment the American P.O.W.s had to deal with daily while in North Vietnam's Hoa Lo Prison, the most infamous P.O.W. camp in Hanoi. The film focuses on the resistance the prisoners gave to their captors and the strong bonds... Read allA drama focusing on the suffering, torture, and brutal treatment the American P.O.W.s had to deal with daily while in North Vietnam's Hoa Lo Prison, the most infamous P.O.W. camp in Hanoi. The film focuses on the resistance the prisoners gave to their captors and the strong bonds formed by the Americans during their captivity.
IMDb RATING
6.1/10
1.1K
YOUR RATING
  • Director
    • Lionel Chetwynd
  • Writer
    • Lionel Chetwynd
  • Stars
    • Michael Moriarty
    • Paul Le Mat
    • John Edwin Shaw
  • Director
    • Lionel Chetwynd
  • Writer
    • Lionel Chetwynd
  • Stars
    • Michael Moriarty
    • Paul Le Mat
    • John Edwin Shaw
  • See production, box office & company info
    • 26User reviews
    • 13Critic reviews
    • 32Metascore
  • See more at IMDbPro
  • Videos1

    Trailer
    Trailer 1:37
    Watch Trailer

    Photos21

    The Hanoi Hilton (1987)
    The Hanoi Hilton (1987)
    The Hanoi Hilton (1987)
    The Hanoi Hilton (1987)
    The Hanoi Hilton (1987)
    Michael Moriarty in The Hanoi Hilton (1987)
    Paul Le Mat in The Hanoi Hilton (1987)
    Aki Aleong in The Hanoi Hilton (1987)
    Gloria Carlin, Gary Guidinger, Mark Kemble, and Doug Savant in The Hanoi Hilton (1987)
    Michael Moriarty in The Hanoi Hilton (1987)
    Michael Moriarty in The Hanoi Hilton (1987)
    Aki Aleong and David Anthony Smith in The Hanoi Hilton (1987)

    Top cast

    Edit
    Michael Moriarty
    Michael Moriarty
    • Williamson
    Paul Le Mat
    Paul Le Mat
    • Hubman
    John Edwin Shaw
    John Edwin Shaw
    • Mason
    Ken Wright
    Ken Wright
    • Kennedy
    David Soul
    David Soul
    • Oldham
    Stephen Davies
    Stephen Davies
    • Miles
    Lawrence Pressman
    Lawrence Pressman
    • Cathcart
    Doug Savant
    Doug Savant
    • Ashby
    David Anthony Smith
    • Gregory
    Jeffrey Jones
    Jeffrey Jones
    • Fischer
    John Vargas
    John Vargas
    • Oliviera
    Rick Fitts
    Rick Fitts
    • Turner
    Scotty Sachs
    • Soles
    John Diehl
    John Diehl
    • Murphy
    Jesse Dabson
    Jesse Dabson
    • Rasmussen
    Bruce Fairbairn
    Bruce Fairbairn
    • Shavick
    James Acheson
    James Acheson
    • Cummins
    Tony Markes
    • Rookie
    • Director
      • Lionel Chetwynd
    • Writer
      • Lionel Chetwynd
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      At the beginning of the movie, F-4 Phantom fighters are seen with AA designation on their tails. AA aircraft were assigned to the USS Forrestal. Future Senator/Presidential candidate John McCain who spent several years at the Hanoi Hilton after being shot down while flying from the USS Oriskany, also flew previously from the Forrestal. He narrowly escaped death during the tragic Forrestal fire in 1967.
    • Goofs
      U.S. Air Force commissioned officers do not, and did not, wear silver chinstraps on their service caps. The POW escort officers are shown with silver chinstraps on their service caps. This is a mistake.
    • Quotes

      Cathcart: [Making an announcement to the other prisoners in the "Hanoi Hilton"] In the meantime, hear this, and pass it on: The Code of Conduct will apply to all American servicemen in here. Nobody handed you a "Discharge" when you got captured. We will keep the faith - in God, in country, in one another. We will honor military ranks, and obey the Senior Ranking Officer at all times. For the time being, until I hear different, I am that SRO. My orders are simple. Firstly: save everything. Collect every piece of scrap you can find. It'll all come in handy. Secondly: stay in contact at all times. You must contact every arrival. You must memorize every name. We will manipulate the enemy, but we will not antagonize him needlessly. You catch more flies with honey, than with vinegar. No matter what they do to us, we are Americans. If we help, and support, one another, we... will... prevail.

    • Connections
      Featured in Siskel & Ebert: Blind Date/Dolls/The Hanoi Hilton/Swimming to Cambodia (1987)
    • Soundtracks
      Hero's Heart
      Music and Lyrics by Jimmy Webb

      Performed by Joe Pizzulo

      Produced by Fred Mollin

    User reviews26

    Review
    Review
    Featured review
    Compelling look at POW life and effect of anti-war sentiment
    Very compelling and realistic portrayal of life as a N.Vietnam POW and how opinion at home affected their situation. You can read Jane Fonda's own broadcasts to verify that the "portrayal" of her and Tom Hayden was not a caricature. Few Americans understood the impact their views and actions had on American soldiers and POWs. There are several standout performances, especially by Moriarity, Pressman, Jones and "Starsky and Hutch" star,David Soul. Although intentionally episodic and semi-documentary in style-the period covered was after all, 9 years -the film is nonetheless compelling. However it's main goal seems to tell the story and not make great "film".This is not Mallick's " The Thin Red Line"(a superb, introspective film). H. Hilton's view that the strength of US military training and code of honor, the value and support of religion in tough times and it's admiration of the "average guy" is more in line with Scott's "Blackhawk Down" and Stephen Ambrose's influenced Speilberg film, "Saving Private Ryan" Neither of these films are as artistic as Mallicks-but all are true to the reality of the specific event.An interesting film to view in conjunction with the H.Hilton is the fictional and quite propagandist " Coming Home" starring Jane Fonda.In that film only Vets who denounced the war(nothing wrong with that)are given credibility. Fonda's husband in the film, Bruce Dern, is not only a joke as a soldier (his metal is for being shot in the rear end)but as a man-he has never given his wife an orgasm-that's left to hero Jon Voight, a paraplegic who renounces the war. Dern ultimately drowns himself. Talk about a loaded deck. No recognition in that film that an American GI who supports his country might have the character of any of the POWs in the Hanoi Hilton. These men were the "forgotten men" of the 60's/early 70's- The Hanoi Hilton was not at all popular at the box office and vilified by many in the Hollywood community when it was made-but it was ahead of it's time content-wise and quite brave for it.
    helpful•24
    9
    • steve-692
    • Feb 26, 2002

    Details

    Edit
    • Release date
      • May 23, 1987 (Taiwan)
    • Country of origin
      • United States
    • Languages
      • English
      • Vietnamese
      • French
    • Also known as
      • Hanoi Hilton
    • Filming locations
      • London, England, UK
    • Production companies
      • Golan-Globus Productions
      • The Cannon Group
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $760,000
    • Opening weekend US & Canada
      • $17,784
      • Mar 29, 1987
    • Gross worldwide
      • $760,000
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 5 minutes
    • Color
      • Color
    • Sound mix
      • Ultra Stereo
    • Aspect ratio
      • 1.85 : 1

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