PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Añade un argumento en tu idiomaAn architect supervising an exhibition starts to have mysterious stomach pains while his life slowly falls apart.An architect supervising an exhibition starts to have mysterious stomach pains while his life slowly falls apart.An architect supervising an exhibition starts to have mysterious stomach pains while his life slowly falls apart.
- Premios
- 2 nominaciones
Marino Masé
- Trettorio
- (as Marino Mase)
Argumento
¿Sabías que...?
- CuriosidadesBrian Dennehy was quoted after the release as saying "I've made lots of movies but only one film."
- PifiasWhen photocopying the picture of Augustus, Kracklite puts the picture in upside down which would have given a blank copy (unless the same picture was on both sides). Additionally, it would not be possible to achieve the level of resolution of Augustus' abdomen from such a small picture.
- Citas
Caspasian Speckler: Your wife is very beautiful, Signor Kracklite, especially when she is pregnant.
Stourley Kracklite: Yes, that's right. She is pregnant. But not with your child, Speckler.
Caspasian Speckler: True. I'm very grateful to you for that. Your child, shall we say, is the most perfect contraceptive.
[Kracklite turns and punches Speckler in the nose]
- ConexionesReferenced in Peter Greenaway in Indianapolis (1997)
Reseña destacada
When Is Too Much Not Enough?
Brian Dennehy and Chloe Webb come to Rome. He's an architect who has been working for ten years on an exhibit about Etienne-Louis Boullee, and it has reached the stage where the physical labor has to be done. As the project moves sluggishly forward, Dennehy can't figure out where the money is going. All he knows is that Roman architect Lambert Wilson is carrying on an affair with Miss Webb, angling to take over the exhibit, and he has new and distressing pains in his gut.
Peter Greenaway directs High Art films that flirt with the limits of watchability -- I've never been able to get past the initial image in PROSPERO'S BOOK, of John Gielgud in hs bath, watered by cherubs like a garden fountain. This one is very watchable, with its bits of color, and Dennehy's solid performance against the wreckage of classical art through the movie's Rome; there's one funny moment when he uses the feet of a colossal sculpture to scratch his back. Yet, in the end, Dennehy's performance takes over the entire movie, leaving everyone else as bit players. Others' motives, except for Lambert's greed, remain obscure. Is Greenaway satirizing the excessive intellectualization of a practical art of which he himself is guilty?
Peter Greenaway directs High Art films that flirt with the limits of watchability -- I've never been able to get past the initial image in PROSPERO'S BOOK, of John Gielgud in hs bath, watered by cherubs like a garden fountain. This one is very watchable, with its bits of color, and Dennehy's solid performance against the wreckage of classical art through the movie's Rome; there's one funny moment when he uses the feet of a colossal sculpture to scratch his back. Yet, in the end, Dennehy's performance takes over the entire movie, leaving everyone else as bit players. Others' motives, except for Lambert's greed, remain obscure. Is Greenaway satirizing the excessive intellectualization of a practical art of which he himself is guilty?
útil•62
- boblipton
- 30 dic 2020
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- The Belly of an Architect
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Principal laguna de datos
By what name was El vientre de un arquitecto (1987) officially released in Canada in English?
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