Like the Russian poet of 'Nostalghia', who, accompanied by his Italian guide and translator, traveled through Italy researching the life of an 18th-century Russian composer, Andrei ... See full summary »
Seven year old Sasha practices violin every day to satisfy the ambition of his parents. Already withdrawn as a result of his routines, Sasha quickly regains confidence when he accidentally ... See full summary »
Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.Written by
Gert de Boer
The opening, post-credits shot (a tracking shot of Alexander, Little Man, and Otto talking and walking) lasts nine minutes and twenty-six seconds, the longest single take in all of Tarkovsky's work. See more »
Come here and give me a hand, my boy.
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Before end credits: "This film is dedicated to my son Andriosha - with hope and confidence. Andrei Tarkovskij" See more »
This is the best movie I have seen so far. I watch it again about once or twice a year, like a ritual or an annual holiday I would be taking into levels of consciousness where the mind is not really required. I do not understand, and I do not feel like I have to, it is secondary. I feel touched like only pure and silent beauty can touch me, or bliss. It is obviously created around an idea of sacrifice, being both a gift to others but also to ourselves. By offering his life in order to save his family, his grandson and the world, the main character is also giving a true meaning to his own life that had mostly been of artificiality, questionings and shallowness. Every person who enters the house, he starts seeing under a deeper if not more expressionistic light... And when he meets with magic (while making love with the witch) he creates the bridge that will take him from reality into mystery. The whole film is as breathtaking and self-sufficient as a painting, or even more so, a Russian icon. It is ageless. I suppose it will remain with me for my entire life. I consider it Tarkovsky's last will, but even more so a piece of the Human Heritage that should be protected and kept accessible for future generation.
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