Goofs

When Kelly and Logan enter Taft's warehouse, it's sunny with a few clouds. Moments later, when Taft closes the warehouse door, it's still broad daylight with bright sun. But a minute later when Kelly and Logan escape the warehouse, it's dusk and the buildings in the Manhattan skyline have their lights on.

When the press is interviewing Chelsea after the charges against her are dismissed, there's no breeze, and her hair is around her face. The next shot has a rather strong wind whipping her hair around, then in the next immediate shot, her hair is still again-as if there had been no breeze at all.

The night Logan can't sleep and Chelsea arrives at his apartment, there is falling rain vigorously streaking the outside of his window (and later Chelsea's window when they arrive at her loft) but exterior scenes have only wet streets.

When Tom arrives at the gallery in his car, the wipers are off. In the next shot, where he gets out of the car, the wipers are on.

The action of the movie appears to take place during a winter-like season (lots of rain and occasional snowflakes) yet a shot of the Empire State building has the lighting at the top in red, white and blue, coloring usually used around the Fourth of July or other non-Winter holidays.

At no point in the murder trial is bail discussed for the defendant. In a murder case, something should have been set.

When the hitman tries to run over Tom and Laura, he hits a parked car. In the shot just before the crash, the car already has visible severe damage to the bumper, fender, and door on the passenger side.

The bomb left by Taft in the warehouse has a digital countdown clock, yet it ticks as if it is a mechanical clock.