
The Decline of the American Empire (1986)
Le déclin de l'empire américain (original title)Reference View | Change View
- R
- 1h 41min
- Comedy, Drama
- 14 Nov 1986 (USA)
- Movie
- Nominated for 1 Oscar. Another 13 wins & 7 nominations.
- See more »
Photos and Videos
Cast verified as complete
Dominique Michel | ... |
Dominique St. Arnaud
|
|
Dorothée Berryman | ... |
Louise
|
|
Louise Portal | ... |
Diane Leonard
|
|
Pierre Curzi | ... |
Pierre
|
|
Rémy Girard | ... |
Rémy
|
|
Yves Jacques | ... |
Claude
|
|
Geneviève Rioux | ... |
Danielle
|
|
Daniel Brière | ... |
Alain
|
|
Gabriel Arcand | ... |
Mario
|
|
Évelyn Regimbald | ... |
Theresa
|
|
Lisette Guertin |
|
||
![]() |
Alexandre Remy | ... |
Transvestite
|
![]() |
Ariane Frédérique |
|
|
![]() |
Jean-Paul Bongo | ... |
Mustafa
|
Directed by
Denys Arcand |
Written by
Denys Arcand | ... | () |
Gabriel Arcand | ... | (collaborating writer) |
Mark Blandford | ... | (collaborating writer) |
Jean-Claude Lauzon | ... | (collaborating writer) |
Monique Proulx | ... | (collaborating writer) |
Yvon Rivard | ... | (collaborating writer) |
Catherine Ruelle | ... | (collaborating writer) |
Louise Vandelac | ... | (collaborating writer) |
Produced by
Roger Frappier | ... | producer |
Pierre Gendron | ... | line producer |
René Malo | ... | producer |
Music by
François Dompierre | ... | (music) |
Cinematography by
Guy Dufaux |
Editing by
Monique Fortier |
Editorial Department
Diane Boucher | ... | assistant editor |
Suzanne Dussault | ... | post-production assistant |
Marc Lussier | ... | colorist dailies |
Production Design by
Gaudeline Sauriol |
Art Direction by
Gaudeline Sauriol |
Costume Design by
Denis Sperdouklis |
Makeup Department
Gaétan Noiseux | ... | hair stylist |
Cécile Rigault | ... | assistant makeup artist |
Micheline Trépanier | ... | makeup artist |
Production Management
Suzanne Dussault | ... | post-production manager |
Lyse Lafontaine | ... | production manager |
Estelle Lemieux | ... | unit manager |
Second Unit Director or Assistant Director
Jacques W. Benoit | ... | assistant director |
Monique Maranda | ... | second assistant director |
Art Department
Charles Bernier | ... | set props |
Louis Gascon | ... | assistant props |
Claude Lafond | ... | carpenter |
Alain Singher | ... | set props |
Sound Department
Yvon Benoît | ... | boom operator |
Huguette Bergeron | ... | assistant to Denys Arcand |
Richard Besse | ... | sound |
Diane Boucher | ... | dialogue editor |
Adrian Croll | ... | re-recording mixer |
Paul Dion | ... | sound editor |
Carole Gagnon | ... | assistant sound editor |
Marie-Claude Gagné | ... | assistant sound editor |
Louis Hone | ... | foley mixer |
Jean-Pierre Joutel | ... | re-recording mixer |
Andy Malcolm | ... | foley artist |
Conrad Perrault | ... | lab manager (as Conrad Perreault) |
Lise Wedlock | ... | foley assistant |
Special Effects by
Louis Craig | ... | special effects supervisor |
Camera and Electrical Department
Yvon Boudrias | ... | key grip |
Bertrand Carrière | ... | still photographer |
Sylvaine Dufaux | ... | second assistant camera |
Claude Fortier | ... | electrician |
Jean-Pierre Lamarche | ... | grip |
Jacques Leduc | ... | cinematographer: nature scenes |
Roger Martin | ... | gaffer |
Nathalie Moliavko-Visotzky | ... | first assistant camera / focus puller |
Normand Viau | ... | electrician |
Costume and Wardrobe Department
Mario Davignon | ... | key dresser |
Brunhilde Pradier | ... | wardrobe seamstress |
Location Management
Ken Korrall | ... | location manager |
Music Department
Edith Boivin Beluse | ... | musician: piano and electronic keyboard |
Paul Pagé | ... | music recordist |
Lorraine Prieur | ... | musician: piano and electronic keyboard |
Script and Continuity Department
Johanne Prégent | ... | script supervisor |
Additional Crew
Sylvain Arseneault | ... | production assistant (as Sylvain Arsenault) |
Bruno Bazin | ... | production assistant |
Micheline Bonin | ... | production accountant |
Serge Bouthillier | ... | title designer |
Louise Cousineau | ... | assistant production administrator |
Edouard Davidovici | ... | technical co-ordinator |
François Fauteux | ... | production assistant |
Jean-Pierre Fauteux | ... | production assistant |
Serge Gaspard Gaudreau | ... | assistant title designer (as Serge Gaudreau) |
Jean Guérin | ... | production coordinator |
Jean-Pierre Joly | ... | assistant title designer |
Frédéric Lefebvre | ... | production assistant |
Monique Létourneau | ... | production administrator |
Louise Overy | ... | assistant title designer |
Johanne Pelletier | ... | production secretary |
Val Teodori | ... | assistant title designer |
Thanks
René Lamarche | ... | thanks |
Production Companies
- Corporation Image M & M
- Malofilm
- National Film Board of Canada (NFB)
- Société Générale du Cinéma du Québec (participation)
- Société Radio-Canada (participation)
- Téléfilm Canada (participation)
Distributors
- Cineplex Odeon Films (1986) (United States) (theatrical) (subtitled)
- Artificial Eye (1986) (United Kingdom) (theatrical) (subtitled)
- Tobis (1986) (West Germany) (theatrical)
- Norma-Vigo (1987) (Argentina) (theatrical)
- Union Générale Cinématographique (UGC) (1987) (France) (theatrical)
- Pyramide Films (1987) (World-wide) (theatrical)
- Les Films René Malo (1987) (Canada)
- Belga Films (1987) (Belgium) (theatrical)
- New Vision Films (1987) (Australia) (theatrical)
- Sandrew (1987) (Sweden) (theatrical)
- Distribuidora Internacional de Filmes (DIF) (Brazil) (VHS)
- Gativideo (2005) (Argentina) (DVD)
- Gativideo (2005) (Argentina) (VHS)
- Koch Lorber Films (2004) (United States) (DVD)
- MCA Home Video (1987) (United States) (video)
- MCA/Universal Home Video (United States) (VHS)
- Malofilm Home Video (Canada) (VHS)
- New World Video (1987) (United Kingdom) (VHS)
- New World Video (Canada) (VHS)
- Seville Pictures (2003) (Canada) (DVD)
- Seville Pictures (2004) (Canada) (DVD)
- Seville Pictures (2011) (Canada) (Blu-ray) (DVD)
- marketing-film (1989) (West Germany) (VHS)
Special Effects
- Intrigue (special effects)
Other Companies
- A. Lassonde et Fils (Oasis) (thanks)
- Centre Claude Robillard (thanks)
- Centre de Conditionnement physique Nautilus (thanks)
- Cidem-Cinema, Montreal (thanks)
- City of Montreal (thanks)
- Eau Montclair (thanks)
- Gyski Agencies (thanks)
- House of Seagram (thanks)
- La Baie (Vêtements) (thanks)
- Le Relais Inc. (thanks)
- Lunettes Louis (thanks)
- Municipalité de Georgeville (thanks)
- Municipalité de Magog (thanks)
- Orelia (thanks)
- Peoples Jewellers (thanks)
- Podium Sports (thanks)
- Service des Installations et Equipements Sportifs, Université de Montréal (thanks)
- Shenley Canada (thanks)
- The Coca-Cola Company (thanks)
- Ville d'Outremont (thanks)
- Yogourt Delisle (thanks)
Storyline
Plot Summary |
A group of academics at the University of Montreal--most long time friends--plan to gather at the lakeside recreational home of Rémy and Louise, who have been together for 20 years, married for 15 of them, for dinner. Louise knows Rémy cheats on her, but believes he only does so when she is not around, which she accepts. Their recreational home is adjacent to many of the recreational homes of the others, who are: divorced Pierre and his much younger current girlfriend Danielle who is a student at the university; divorced mother Diane; independent-minded Dominque; single homosexual Claude; and graduate student Alain; While the four men prepare the dinner, the four women are working out together in the gym. The common factor between the two groups is the topic of conversation: sex, especially as it relates to themselves. But underlying each of the conversations is their own academic and intellectual backgrounds, which shapes the nature of the discussions. When the two groups finally converge for dinner, a ninth person is added peripherally, brusque working-class Mario, Diane's current sexual partner. This relationship is a first for Diane in that not only their sexual encounters but the way they interact with each other in general is predicated on S and M, dictated largely by Diane, the submissive. What happens with the group as dinner goes into evening and evening goes into morning is further shaped by them listening to a prerecorded interview Dominique did for CBC Radio earlier in the day to promote her new book, which discusses how the quest for individual happiness in modern western society is leading to the decline of the society in general. Written by Huggo |
Plot Keywords | |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | CAD1,800,000 (estimated) |
Did You Know?
Trivia | The house in which the majority of the events take place, in Magog, burned down in 1989, was later rebuilt. The scene in which one of the women characters is having sex, seen through a window from outside, was actually shot through a garage window. The actress was sitting on the snow tires which the owner of the house stored in the garage. She told him that, thanks to the tires, it was one of the most comfortable scenes she had ever done. See more » |
Movie Connections | Edited into 50 ans (1989). See more » |
Soundtracks | Music themes See more » |
Quotes |
Rémy:
Love - the kind that makes your heart race - lasts two years at best. Then the compromises begin. See more » |